<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-9071853828624332713</atom:id><lastBuildDate>Fri, 25 Dec 2009 12:17:06 +0000</lastBuildDate><title>Kurye/ Courier Video Org.</title><description></description><link>http://couriervideo.blogspot.com/</link><managingEditor>irmakarkman@gmail.com (Kurye Video Org)</managingEditor><generator>Blogger</generator><openSearch:totalResults>38</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-6154303046349840845</guid><pubDate>Fri, 06 Nov 2009 00:24:00 +0000</pubDate><atom:updated>2009-11-06T01:04:28.268-08:00</atom:updated><title>Stelarc@Kurye International Video Festival'09</title><description>Stelarc@Kurye International Video Festival'09 Part 1&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7435370&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=7435370&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Stelarc@Kurye International Video Festival'09 Part 2&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7438125&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=7438125&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Stelarc@Kurye International Video Festival'09 Part 3&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7440912&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=7440912&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Stelarc@Kurye International Video Festival'09 Part 4&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7443922&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=7443922&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Stelarc@Kurye International Video Festival'09 Part 5&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7458830&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=7458830&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Stelarc@Kurye International Video Festival'09 Part 6&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7462402&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=7462402&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-6154303046349840845?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/11/stelarckurye-international-video.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-4582852889200322478</guid><pubDate>Thu, 01 Oct 2009 01:59:00 +0000</pubDate><atom:updated>2009-09-30T19:00:56.356-07:00</atom:updated><title>Kurye Video Bienal Özel Gösterimleri // Kurye Video Biennial Special Screenings</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SsQNUC3JOdI/AAAAAAAAAWE/L6fTt8K4OPg/s1600-h/money+love+hate.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 316px;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SsQNUC3JOdI/AAAAAAAAAWE/L6fTt8K4OPg/s400/money+love+hate.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5387445692258662866" /&gt;&lt;/a&gt;&lt;br /&gt;Kurye Video Bienal Özel Gösterimleri&lt;br /&gt;&lt;br /&gt;Kurye Video Organizasyonu, İMÇ 5533’te açılan Kurye Video Arşivini kutlamak ve İstanbul Bienali vesilesiyle canlanan İstanbul’un kültür-sanat hayatına katkıda bulunmak amacıyla Ekim ayının ilk on beş gününde özel gösterimler düzenliyor. Çarşamba, Perşembe, Cuma ve Cumartesi günleri saat 13 ve 16 olmak üzere iki seans halinde İMÇ 5533’te gerçekleşecek video gösterimlerine tüm video meraklılarını bekliyoruz!&lt;br /&gt;&lt;br /&gt;1-15 Ekim arasında gerçekleşecek bu gösterimler 47 ülkeden 270 sanatçının 700’ü aşkın videosuna ev sahipliği yapan ve koleksiyonunu gün be gün geliştiren Kurye Video Arşivinden İstanbul Bienalinin bu seneki temasına paralellik gösterecek şekilde seçilmiş videolardan oluşuyor. Bertolt Brecht’in 1928’de Büyük Buhran eşiğinde sorduğu ve İstanbul Bienalinin 2009’da küresel bir iktisadi bunalımın ortasında yinelediği “insan neyle yaşar?” sorusuna cevap arayan videolardan oluşan program, bu soruya verilebilecek üç olası cevap çerçevesinde şekillendi: aşk, nefret ve elbette para. &lt;br /&gt;&lt;br /&gt;Bireysel hayatlarımız kadar medeniyetlerin de itici gücü olduğu iddia edilebilecek iki temel duygu, aşk ve nefret, “insan neyle yaşar?” sorusuna cevap arayan iki seçkinin konularını oluşturuyor. Bu seçkiler aşk ve nefrete ilk anda akla gelenden daha geniş bir çerçevede yaklaşıyor. Mesela aşk seçkisi içine tutkuyu ve aşkın sosyal etkilerle aldığı farklı şekilleri ve içine sıkıştığı kültürel ve kurumsal düzenlemeleri de alırken nefret seçkisi şiddet, savaş gibi nefretin fiziksel dışavurumlarının yanı sıra tiksinti ve dışlama gibi gündelik zulümlere de yer veriyor. Üçüncü ve son seçkinin konusu ise Bertolt Brecht’in sorduğu soruya onun beklediği cevabı veriyor: Para. Kapitalist dünyada para olmadan insanlık olmaz. Ahlak her zaman karın tokluğundan sonra gelir. Para başlıklı seçkinin videoları paranın ve içinde yaşadığımız küresel kapitalist dünyada her şeyin ve herkesin metalaşmasının gündelik hayatımızdaki izlerini sürüyor.&lt;br /&gt;&lt;br /&gt;İMÇ 5533’ün “Bir Varmış Bir Yokmuş” adlı sergisi de hâlâ devam ediyor ve gösterimlerle eşzamanlı olarak görülebilir. Bu serginin detayları için: imc5533.blogspot.com.&lt;br /&gt;&lt;br /&gt;Gösterim Programı:&lt;br /&gt;1-7-10 Ekim: Para  &lt;br /&gt;2-8-14 Ekim: Aşk &lt;br /&gt;3-9-15 Ekim: Nefret &lt;br /&gt;&lt;br /&gt;Kurye gösterimleriyle ilgili detaylı bilgi için: www.kuryevideo.org.&lt;br /&gt; &lt;br /&gt;Kurye Video Biennial Special Screenings&lt;br /&gt;&lt;br /&gt;Kurye Video Organization will present special screenings throughout the first 15 days of October in order to celebrate the opening of the permanent Kurye Video Archive at İMÇ 5533 and to contribute to the art and culture scene in Istanbul which has been recently invigorated by the onset of the Istanbul Biennial. We invite all video enthusiasts to our screenings which will take place twice at 13:00 and 16:00 every Wednesday, Thursday, Friday and Saturday until October 15 at İMÇ 5533! &lt;br /&gt;&lt;br /&gt;The screenings will comprise videos chosen from Kurye Video Archive, currently housing more than 700 videos by 270 artists coming from 47 countries and enlarging its collection by the day, in parallel to the theme of this year’s edition of the Istanbul Biennial. Seeking to find viable answers to the famous question “what keeps mankind alive?” posed first in 1928 at the eve of the Great Depression by Bertolt Brecht and again by the curatorial team of the Istanbul Biennial in 2009 at the midst of the global financial crisis, the screening program was formed around three possible answers to this essential question: love, hate and of course money. &lt;br /&gt;&lt;br /&gt;Two essential human emotions, love an hate, which could arguably be the most important driving forces behind not only personal life stories but also civilizations, provide two separate answers to the question “what keeps mankind alive?” as well as the themes of two separate screening programs. These screenings approach the notions of love and hate more broadly than what first comes to mind. For instance, the screening on love also includes videos on passion and the different shapes that love can take in the face of social influences as well as the institutional and cultural limitations that constrain love; while the screening on hate includes not only the most common physical manifestations of hate like acts of violence and war but also more minute and everyday acts of hatred like repulsion and ostracism. The theme of the last screening provides Brecht with the answer he originally intended to provoke: Money. In the capitalist world, there can be no room for humanity without money. And morality always comes second to the necessity of being able to afford a full stomach. The videos of the screening on money trace the role of money in our everyday life as well as the commodification of everything and everyone in our global capitalist world.&lt;br /&gt;&lt;br /&gt;İMÇ 5533’s exhibition entitled “Once Upon A Time” is still running and can be viewed alongside Kurye’s special screenings. For more info on this exhibition, please visit: imc553.blogspot.com.&lt;br /&gt;  &lt;br /&gt;Screening Program:&lt;br /&gt;October 1-7-10: Money  &lt;br /&gt;October 2-8-14: Love &lt;br /&gt;October 3-9-15: Hate &lt;br /&gt;&lt;br /&gt;For more info on Kurye screenings, please visit: www.kuryevideo.org.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-4582852889200322478?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/09/kurye-video-bienal-ozel-gosterimleri.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KSGB9RuX7DQ/SsQNUC3JOdI/AAAAAAAAAWE/L6fTt8K4OPg/s72-c/money+love+hate.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-5020684257296547474</guid><pubDate>Wed, 30 Sep 2009 19:56:00 +0000</pubDate><atom:updated>2009-09-30T13:02:10.421-07:00</atom:updated><title>Kurye Video Arşivi İMÇ5533'de/ Kurye Video Archive @ IMC5533</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SsO4eo_ZuZI/AAAAAAAAAV8/oHNeQSK7nxk/s1600-h/_DSC0108.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 268px; height: 400px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SsO4eo_ZuZI/AAAAAAAAAV8/oHNeQSK7nxk/s400/_DSC0108.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5387352415804176786" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;/span&gt;700'Ü AŞKIN VİDEOSUYLA KURYE ULUSLARARASI VİDEO ARŞİVİ ARTIK İMÇ5533'DE&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;/span&gt;Sergi: Bir Varmış Bir Yokmuş, 09.09.2009 / 29.10.2009, İMÇ5533&lt;br /&gt;&lt;br /&gt;Bilginin aktarılması söz konusu olduğunda, bunda hafızanın bir rolü olsa da olmasa da, elde edilen sonuç, ister sözlü ister görsel ya da bu ikisinin bir birleşimi olsun, anlatımsal olacaktır. İstanbul gibi karmaşık ve kaotik bir şehirde, öykü anlatımı, mekânın doğal dokusunun bir parçası olarak var olmaktadır. Bir Varmış Bir Yokmuş isimli bu enstalâsyonda, Volkan Aslan ve Nancy Atakan, İstanbul’da ve küratör Marcus Graf ile birlikte işlettikleri bağımsız sanat mekânı 5533'ün çevresinde yer alan Unkapanı bölgesinde bulunan gerçekliğin/kurgunun çoklu katmanlarını yansıtan hayali ve tarihsel bir mekân sunmaktadır. Bu iki sanatçı, yerel üniversite öğrencileriyle birlikte, 5533’ün açıldığı yıl olan 2008’den beri, 5533’ün, küçük işletmelere sahip iş adamlarından oluşan komşularının ve İstanbul’daki benzer inisiyatif ve merkezlerin sahip olduğu komşuların, çağdaş sanata ilişkin bakış açılarını ve algılamalarını saptamaya yönelik çok sayıda proje organize etmişlerdir. Buna ek olarak, 5533’ün de içinde bulunduğu ve İstanbul’un en eski alışveriş merkezi olan İMÇ’nin (İstanbul Manifaturacılar Çarşısı) mimari tarihini de araştırmışlardır. Psödo-belgesel tarzındaki bu yaklaşım, belirli bir anlatım türünü kullanmaktadır ve gerçekleştirilecek bu etkinliğin tartışma paneli kısmında sunulacaktır. Buna karşılık, Volkan Aslan ve Nancy Atakan’ın enstalâsyonu, içinde yaşanılan dünyalara ilişkin öyküleri anlatmanın alternatif yollarını göstermektedir.&lt;br /&gt;&lt;br /&gt;5533’ün etrafında yer alan çevre, geleneksel, Müslüman ve tarihi öğeleri, modern yaşamın izleriyle bir araya getirmekte ve paralel dünyaların, yan yana var olmanın yanı sıra birbirleriyle kesişmelerini ve birbirlerinin içine nüfuz etmelerini de mümkün kılmaktadır. Pleksiglas, neon, plastik, cam, reklâmlar, videolar ve çağdaş müzik, Müslüman kadınların geleneksel hazır giyim eşyaları, yerel bir çay ocağı, yarı terkedilmiş bir modern alışveriş merkezi, solmuş fotoğraflar, arabesk müzik ve atılmış nesnelerle iç içe geçmektedir. Aslan ve Atakan’ın enstalâsyonu, her ikisinin de kişisel sanat uygulamalarını kullanarak bu atmosferi dolaylı olarak yeniden yaratmaktadır. Nancy Atakan, 5533’ün de içinde bulunduğu bu alışveriş merkezini kuran akrabalarının öyküleri, aile fotoğrafları ve kişisel deneyimlerinden yola çıkarken, Volkan Aslan’ın anlatımı, geçmiş dönemlere ait bulunmuş nesnelerden yararlanmaktadır. Her iki sanatçı da, nesnelerin, insanlardan daha uzun ömürlü olduklarının ve geriye kalan şeylerin atmosferini yansıttıklarının, kokusunu taşıdıklarının ve arkalarında izler bıraktıklarının bilincindedir. Nesneler, hafızayı taşımakta ve belgelemektedir. Bu nesneler, sanatçının ister tanıdığı ister tanımadığı bir kimseden geliyor olsunlar, etkinlikler, kişiler ve dönemler hakkında öyküler anlatmaktadırlar. Bu nesnelerinden çıkan hikayeler hiçbiri, birbirinden daha doğru değildir.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;/span&gt;700'Ü AŞKIN VİDEOSUYLA KURYE ULUSLARARASI VİDEO ARŞİVİ ARTIK İMÇ5533'DE&lt;br /&gt;&lt;br /&gt;Kurye Video Organizasyonu, sadece video üzerine faaliyet gösteren bağımsız ve uluslararası bir organizasyondur. Arşiv sistemiyle işleyen Kurye Video Organizasyonu, aynı zamanda yerel ve uluslararası alanda ajans olarak da çalışmaktadır. Arşivinde hali hazırda 47 ülkeden 267 sanatçıya ait 700’ü aşkın video bulunan organizasyon, geçtiğimiz 4 yıl içerisinde dört uluslararası video festivalinin yanı sıra sayısız sergi, özel gösterim ve görsel-işitsel etkinliğe imza atmıştır. Sayısı gün geçtikçe artan videolarıyla uluslararası sanat camiasındaki yerini giderek sağlamlaştıran ve Türkiye için önemli bir kaynak teşkil eden arşiv bundan böyle İMÇ5533 mekanından takip edilebilecek ve organizasyon bienal süresince düzenli olarak video gösterimleri gerçekleştirecek. İzleyiciler gösterim olmayan günlerde arşivden videolar izleyebileceği gibi, bugüne kadar yapılmış gösterimleri de istedikleri zaman seyretme özgürlüğüne sahip olacaklar.&lt;br /&gt;&lt;br /&gt;Adres: İMÇ 5. Blok, Unkapanı, Istanbul&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;/span&gt;Kurye Archive at IMÇ 5533&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;/span&gt;*Exhibiton: Once Upon a Time // Kurye International Video Archive at IMC5533&lt;br /&gt;Exhibition: Once Upon a Time, 09.09.2009 / 29.10.2009 at IMC5533&lt;br /&gt;&lt;br /&gt;Whenever memory plays a role in relating information, the outcome, whether verbal, visual, or a combination of the two, becomes narrative. In a complex chaotic city like Istanbul, storytelling exists as a part of the natural texture of the place. In this installation entitled, Once Upon a Time/Bir varmış bir yokmuş, Volkan Aslan and Nancy Atakan present an imaginary space, a historical place, that reflects the multi-layers of reality/fiction found in Istanbul as well as the unkapani area around 5533, the non-profit independent art space they run together with the curator, Marcus Graf. Since 5533 opened in 2008, these two artists in conjunction with local university students have conducted several projects organized to ascertain the viewpoints and perspections related to contemporary art of their small businessmen neighbors as well as those of neighbors of similar initiatives and centers throughout the city. In addition, they have researched the architectural history of İMÇ (Istanbul Textile Manufacturers), the oldest Istanbul shopping center in which 5533 is located. This pseudo-documentary type of approach uses one type of narrative and will be presented in the panel discussion portion of this event whereas the installation by Aslan and Atakan shows alternative ways to tell stories about the worlds they inhabit.&lt;br /&gt;&lt;br /&gt;The environment around 5533 joins the traditional, Moslem, historical, with touches of contemporary life to allow parallel worlds to stand side by side as well as to overlap and to penetrate each other. Plexiglas, neon, plastic, glass, advertisements, videos, contemporary music intertwine with traditional Moslem women’s readywear, a local tea shop, a semi-deserted modern shopping center, faded photographs, arabesque music, and discarded objects. Aslan and Atakan’s installation indirectly recreates this atmosphere using their individual artistic practices. While Atakan starts from personal experience, family photographs and stories of her relatives who initially established the shopping center in which 5533 exists, Aslan’s narrative begins with found objects from past eras. Both artists realize that objects outlive humans and that objects leave traces, carry smells, and reflect the atmosphere of what remains. Objects document and carry memory. Whether these objects come from someone known or unknown to the artist, they tell stories about events, people, and eras. Neither seems more true than the other.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;/span&gt;Kurye International Video Archive at IMC5533&lt;br /&gt;&lt;br /&gt;Kurye Video Organization is an international and independent organization operating solely in the field of video art. It also works as an archive and an agency both locally and internationally. So far, the archive has attracted more than 700 videos by 265 artists coming from 42 countries. The organization has realized numerous exhibitions, special screenings and audio-visual events as well as four international video festivals over the course of the last four years. Augmenting its place and its reputation in the international art scene with an ever increasing number of videos, Kurye archive has become a valuable resource for the art scene in Turkey. This archive will from now on be available at IMC5533 and to celebrate this new space, Kurye will feature regular screenings throughout the duration of the Biennial. The viewers will be able to select and watch individual videos from the archive as they like and will also have the chance to watch Kurye’s previous screening programs.&lt;br /&gt;&lt;br /&gt;Address: İMÇ 5. Blok, Unkapanı, Istanbul&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-5020684257296547474?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/09/kurye-video-arsivi-imc5533de-kurye.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KSGB9RuX7DQ/SsO4eo_ZuZI/AAAAAAAAAV8/oHNeQSK7nxk/s72-c/_DSC0108.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-1995616853413916256</guid><pubDate>Wed, 29 Jul 2009 00:12:00 +0000</pubDate><atom:updated>2009-07-28T17:17:50.947-07:00</atom:updated><title>Orgalink.net Açıldı!!!!</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VD-Rij2I/AAAAAAAAAVc/t7JZHGRqvjw/s1600-h/logo.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 335px; height: 335px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VD-Rij2I/AAAAAAAAAVc/t7JZHGRqvjw/s400/logo.jpg" alt="" id="BLOGGER_PHOTO_ID_5363669576710262626" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VDrSZkNI/AAAAAAAAAVU/IvI3JJWfuik/s1600-h/orgalinkshov.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 233px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VDrSZkNI/AAAAAAAAAVU/IvI3JJWfuik/s400/orgalinkshov.jpg" alt="" id="BLOGGER_PHOTO_ID_5363669571613593810" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VDfXbQ7I/AAAAAAAAAVM/YKaqMwxcy2w/s1600-h/orga.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 223px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VDfXbQ7I/AAAAAAAAAVM/YKaqMwxcy2w/s400/orga.jpg" alt="" id="BLOGGER_PHOTO_ID_5363669568413451186" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CHELLOK%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CHELLOK%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CHELLOK%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;TR&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;    &lt;w:usefelayout/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="--"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:162; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face 	{font-family:Calibri; 	panose-1:2 15 5 2 2 2 4 3 2 4; 	mso-font-charset:162; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1073750139 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} .MsoPapDefault 	{mso-style-type:export-only; 	margin-bottom:10.0pt; 	line-height:115%;} @page Section1 	{size:612.0pt 792.0pt; 	margin:70.85pt 70.85pt 70.85pt 70.85pt; 	mso-header-margin:35.4pt; 	mso-footer-margin:35.4pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin-top:0cm; 	mso-para-margin-right:0cm; 	mso-para-margin-bottom:10.0pt; 	mso-para-margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;Orgalink.net, beğenilerinizi paylaşarak yeni içerikler keşfedebileceğiniz, diğer üyelerden öneriler alabileceğiniz yeni jenerasyon sosyal paylaşım aracıdır. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;Kullanıcılara sinema, müzik, kitap, video oyunu ve dizi kategorileri altında sınırsız içerik girme, önerme ve paylaşma imkanı tanıyan tek sistem olan Orgalink.net, &lt;span style=""&gt; &lt;/span&gt;bu özelliği ile kültür sanat ve topluluk siteleri arasında farklı bir yere konumlanıyor. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;Kullanıcıların yanı sıra profesyonel editörlerin de kategoriler hakkında içerik girecekleri sitede; ayrıca favorilerinize eklenen her içerik, benzer orgalink önerilerinin alındığı bir platforma dönüşüyor. &lt;/p&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-1995616853413916256?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/07/orgalinknet-acld.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KSGB9RuX7DQ/Sm-VD-Rij2I/AAAAAAAAAVc/t7JZHGRqvjw/s72-c/logo.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-5777486747148846035</guid><pubDate>Mon, 20 Jul 2009 11:06:00 +0000</pubDate><atom:updated>2009-07-20T04:08:39.161-07:00</atom:updated><title>Friendly Video Graffiti @ Kunstraum Kreuzberg / Bethanien by L.C. von Sukmeister</title><description>&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5664544&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1"&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=5664544&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;font-size:85%;" &gt;L.C. von Sukmeister takes the side of the guerilla tactic and the video tag, which is ever circulating and accessible on the internet, and develops a stance against the system of curators and galleries that separates the art world into those who choose and those who are chosen. Bend down you Massimiliano Gioni, Okwui Enwezor, Hans Ulrich Obrist, John Elderfield, Roger M. Buergel, Richard Flood, Daniel Birnbaum, Saskia Bos and Sylvie Fleury!&lt;br /&gt;&lt;br /&gt;Credits:&lt;br /&gt;Art Director: L.C. von Sukmeister&lt;br /&gt;Cinematographer: Le Chef du Bureau&lt;br /&gt;Associate Producer: Leopold Chrétien&lt;br /&gt;Set Designers: Atilkunst, Kurye Video Organization, Oda Projesi&lt;br /&gt;Auflage 100 Exemplare&lt;br /&gt;Signiert + nummeriert à: € 20.900,00 (ink. 10 % MwSt.)&lt;br /&gt;Unlimitierte Auflage à: € 500,00 (ink. 10 % MwSt.)&lt;br /&gt;Ten for Free: Kurye Video Organization&lt;br /&gt;Three for Free: Kunstraum Kreuzberg / Bethanien&lt;br /&gt;Location: Kunstraum Kreuzberg / Bethanien&lt;br /&gt;Location Details: Mariannenplatz 2, 10997 Kreuzberg, Berlin, Germany&lt;br /&gt;Date: 4 July 2009&lt;br /&gt;Script: istanbul-off-spaces&lt;br /&gt;Script Consultant: istanbul-off-spaces&lt;br /&gt;Series: Friendly Video Graffiti Project 2009&lt;br /&gt;Part IV: Berlin&lt;br /&gt;Spaces Part IV: Georg Kolbe Museum, Daimler Contemporary, Neues Problem, Hamburger Bahnhof Museum - für Gegenwart, Galerie Schuster, Tanas, Kunstraum Kreuzberg Bethanien&lt;br /&gt;Kunstraum Kreuzberg: Bethanien&lt;br /&gt;FUCK SEX ! LOVE ART &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-5777486747148846035?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/07/friendly-video-graffiti-kunstraum.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-1446254027519680190</guid><pubDate>Thu, 02 Jul 2009 02:38:00 +0000</pubDate><atom:updated>2009-07-20T04:15:08.678-07:00</atom:updated><title>İstanbul Off Spaces, Berlin</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SkwfFjGyQbI/AAAAAAAAAVE/S7bfirOKTnY/s1600-h/logo2-web.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 257px; height: 101px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SkwfFjGyQbI/AAAAAAAAAVE/S7bfirOKTnY/s400/logo2-web.png" alt="" id="BLOGGER_PHOTO_ID_5353688237220184498" border="0" /&gt;&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;İstanbul-Off-Spaces&lt;br /&gt;Bağımsız Sanat Mekan ve Grupları Diyaloğu&lt;br /&gt;Sergi ve etkinlikler&lt;br /&gt;&lt;br /&gt;Açılış: 3 Temmuz 2009, Cuma, 19:00&lt;br /&gt;Sergi süresi: 4. Temmuz - 16. Ağustos 2009&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kunstraum Kreuzberg/Bethanien’de gerçekleştirilecek sergi ve etkinlikler projesi İstanbul-Off-Spaces ile, birkaç yıldır gelişen bir olguya, İstanbul’da sayıları giderek artan ve önem kazanmaya başlayan, ticari olmayan bağımsız proje ve sanat mekanlarına, dikkat çekmek istiyoruz.&lt;br /&gt;Etkinliğin amacı, İstanbul’daki projeler ve çalışanları ile diyaloğa girmek ve Berlin’de, kendilerini ifade edebilecekleri bir platform sunmaktır.&lt;br /&gt;İstanbul’daki sanat mekanları, sivil toplum diskurlarının önemli alanlarını oluşturuyorlar. Gerek giderek yoğunlaşan uluslararasılaşma, gerekse artan bağımsızlık ve özgüven sayesinde, mekanlar, yayınevleri, dergiler ve çağdaş güzel sanatların aktörleri, İstanbul’daki toplumsal ve politik tartışmaların öne çıkan öğeleri haline geldiler.&lt;br /&gt;Sergideki sanatsal çalışmalar ve dokümantasyonların yanısıra, özellikle söyleşiler ve konferanslarla da İstanbul’daki kültür politikalarının aktörlerinin mercek altına alması amaçlanıyor. Gazete formatında çıkarılan yüksek tirajlı bir yayın sergiyi duyuracak, aynı zamanda sürekli dönüşen ve giderek gelişen sözkonusu bu kültürel olguya görsellik kazandıracaktır.&lt;br /&gt;&lt;br /&gt;Stéphane Bauer und Sencer Vardarman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Katılan Gruplar&lt;br /&gt;5533, Apartman Projesi, Artık Mekan, atılkunst, daralan, Hafriyat-Karaköy, Kurye, Masa Projesi, Nomad &amp;amp; Upgrade!İstanbul, Oda Projesi, xurban_collective&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hauptstadtkulturfonds destegi ile gerçeklestirilen bir Kunstraum Kreuzberg/Bethanien projesi.&lt;br /&gt;Konsept: Stephané Bauer ve Sencer Vardarman.&lt;br /&gt;&lt;br /&gt;Sergilenen Proje&lt;br /&gt;Video screening&lt;br /&gt;her gün 12:00-19:00&lt;br /&gt;&lt;br /&gt;Katılımcılar&lt;br /&gt;Bengisu Bayrak, Candaş Şişman, Deniz Kader, Denizcan Yüzgül, GER GER, Digimind, Ece Kalabak, Gözde İlkin, Gökhan Okur, Mert Öztekin, Neriman Polat, Onur Sentürk, Mert Kizilay, Ozan Adam, Sena Basöz, Ali İbrahim Öcal, Şinaşi Güneş, Neşe Dijlay Akbaş, Lokman Dogmus, Erkan Esenoğlu, Swamm, Kinki Texas, Thorsten Fleisch, Funda Özgünaydin, Astrid Rieger&lt;br /&gt;&lt;br /&gt;Kurye, İstanbul Off sergisi için arşivinde bulunan Türk ve Alman sanatçıların video çalışmalarına yer verecek ve sergi alanında belirlenen saatlerde gösterilecek bir video gösterimi hazırlayacaktır.&lt;br /&gt;&lt;br /&gt;Kurye Video Screening&lt;br /&gt;&lt;br /&gt;1. Gözde İlkin | Frequented | 1’06’’ | 2008&lt;br /&gt;2. Bengisu Bayrak | Fast İmam | 10’31’’ | 2003&lt;br /&gt;3. Mert Öztekin (Hazavuzu) | Dear President | 4’43’’ | 2007&lt;br /&gt;4. Gözde İlkin | ID ripper| 7’43’’ | 2009&lt;br /&gt;5. Neriman Polat | Bad Tempered and Sweet Woman | 3' 47'' | 2007&lt;br /&gt;6. Neriman Polat | Crazy Love | 4'47'' | 2008&lt;br /&gt;7. Sean Başöz | Nobody is Irreplacable | 3’35’’ | 2007&lt;br /&gt;8. Neşe Dijlay Akbaş | Finally we are no one | 3'41'' | 2009&lt;br /&gt;9. Ozan Adam | İstanbul | 8’ | 2007&lt;br /&gt;10. Şinasi Güneş | Batumi | 03’24’’| 2008&lt;br /&gt;11. Astrid Rieger | The Expendition to the south pole | 2'15'' | 2002&lt;br /&gt;12. Astrid Rieger | Mammal | 7'25'' | 2007&lt;br /&gt;Kurye Animation Videos Screening&lt;br /&gt;1. Gökhan Okur | Mobilisation Exercices | 1'55'' | 2008&lt;br /&gt;2. Ece Kalabak | Love Styles | 3'04'' | 2004-08&lt;br /&gt;3. Digimind | The Fall | 3’24’’| 2006&lt;br /&gt;4. Deniz Kader &amp;amp; Candaş Şişman | Surface | 2’29’’ | 2008&lt;br /&gt;5. Mert Kızılay | Lover | 5'57'' | 2007&lt;br /&gt;6. Denizcan Yüzgül | Aquarium | 5’15’’ | 2007&lt;br /&gt;&lt;br /&gt;Music Videos and Experimental Works&lt;br /&gt;&lt;br /&gt;1. Ece Kalabak | Radiohead - Jigsaw Falling into Place ( Unofficial)| 1'27''&lt;br /&gt;2. Astrid Rieger | Rimbaud | 5'34'' | 2004&lt;br /&gt;3. Candaş Şişman | Retory | 3’17’’ | 2007&lt;br /&gt;4. Lokman Doğmuş &amp;amp; Erkan Esenoğlu | None | 4’18’’ | 2007&lt;br /&gt;5. Onur Şentürk, Mert Kızılay &amp;amp; Ömer Fasımoğlu | Iskat | 3'34 | 2007&lt;br /&gt;6. Candaş Şişman | Edicisum | 3’38’’ | 2008&lt;br /&gt;7. Thorsten Fleisch | Energie! | 5’ | 2007&lt;br /&gt;8. Kinki Texas | Untitled Clips | 6’40’’ | 2006-08&lt;br /&gt;9. Swamn | Niestroy: Frustration | 1'19’’| 2008&lt;br /&gt;10. Swamn | Untitled | 1'29’’| 2007&lt;br /&gt;&lt;br /&gt;Performance Videos&lt;br /&gt;&lt;br /&gt;1. Funda Özgünaydın | Displacement of a cultural self portrait: Cem Karaca - Funda Özgünaydın | 4'12''| 2007&lt;br /&gt;2. Ger Ger | Black Balloons | 4'26'' | 2008&lt;br /&gt;3. Ger Ger | Play! | 2'04'' | 2007&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;   &lt;br /&gt;&lt;br /&gt;Istanbul-Off-Spaces&lt;br /&gt;Independent Art Spaces in Dialogue&lt;br /&gt;Exhibitions and Events&lt;br /&gt;&lt;br /&gt;July 4 through August 16 2009&lt;br /&gt;&lt;br /&gt;Opening: Friday, July 3, from 7 p.m.&lt;br /&gt;Welcome Address: Dr. Franz Schulz, District Mayor Friedrichshain-Kreuzberg&lt;br /&gt;&lt;br /&gt;Istanbul-Off-Spaces exhibition and event in Kunstraum Kreuzberg/Bethanien is meant to draw attention to a phenomenon that has arisen in recent years: the increasing number and growing influence of project groups and independent non-commercial art spaces in Istanbul.&lt;br /&gt;In Istanbul, art project spaces act as important locations for social discourse and discussions about civil society. As a result of increasing internationalization, but also as a consequence of growing independence and burgeoning self-awareness, locations, publishers, magazines and players in the field of contemporary visual arts have established themselves as outstanding elements of social and political discourse in Istanbul.&lt;br /&gt;The activities in Berlin are aimed at initiating a dialogue between these projects and their protagonists offering a presentation platform in Berlin.&lt;br /&gt;&lt;br /&gt;Stéphane Bauer and Sencer Vardarman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Invited are:&lt;br /&gt;5533, Apartman Projesi, Artık Space, atılkunst, daralan, Hafriyat-Karaköy, Kurye, Masa Projesi, Nomad &amp;amp; Upgrade!Istanbul, Oda Projesi, xurban_collective&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A Kunstraum Kreuzberg/Bethanien Exhibition, supported by the Capital&lt;br /&gt;Culture Fund, conceived and planned by Stéphane Bauer and Sencer Vardarman&lt;br /&gt;&lt;br /&gt;Exhibited Project&lt;br /&gt;&lt;br /&gt;Video screening&lt;br /&gt;everyday 12:00-19:00&lt;br /&gt;&lt;br /&gt;(26 artists)&lt;br /&gt;Bengisu Bayrak, Candaş Şişman, Deniz Kader, Denizcan Yüzgül, GER GER, Digimind, Ece Kalabak, Gözde İlkin, Gökhan Okur, Mert Öztekin, Neriman Polat, Onur Sentürk, Mert Kizilay, Ozan Adam, Sena Basöz, Ali İbrahim Öcal, Şinaşi Güneş, Neşe Dijlay Akbaş, Lokman Dogmus, Erkan Esenoğlu, Swamm, Kinki Texas, Thorsten Fleisch, Funda Özgünaydin, Astrid Rieger&lt;br /&gt;&lt;br /&gt;Kurye will present works by Turkish and German artists in its archive at the Istanbul Off exhibition and realize special screenings at the exhibition venue.&lt;br /&gt;&lt;br /&gt;Kurye Video Screening&lt;br /&gt;&lt;br /&gt;1. Gözde İlkin | Frequented | 1’06’’ | 2008&lt;br /&gt;2. Bengisu Bayrak | Fast İmam | 10’31’’ | 2003&lt;br /&gt;3. Mert Öztekin (Hazavuzu) | Dear President | 4’43’’ | 2007&lt;br /&gt;4. Gözde İlkin | ID ripper| 7’43’’ | 2009&lt;br /&gt;5. Neriman Polat | Bad Tempered and Sweet Woman | 3' 47'' | 2007&lt;br /&gt;6. Neriman Polat | Crazy Love | 4'47'' | 2008&lt;br /&gt;7. Sean Başöz | Nobody is Irreplacable | 3’35’’ | 2007&lt;br /&gt;8. Neşe Dijlay Akbaş | Finally we are no one | 3'41'' | 2009&lt;br /&gt;9. Ozan Adam | İstanbul | 8’ | 2007&lt;br /&gt;10. Şinasi Güneş | Batumi | 03’24’’| 2008&lt;br /&gt;11. Astrid Rieger | The Expendition to the south pole | 2'15'' | 2002&lt;br /&gt;12. Astrid Rieger | Mammal | 7'25'' | 2007&lt;br /&gt;Kurye Animation Videos Screening&lt;br /&gt;1. Gökhan Okur | Mobilisation Exercices | 1'55'' | 2008&lt;br /&gt;2. Ece Kalabak | Love Styles | 3'04'' | 2004-08&lt;br /&gt;3. Digimind | The Fall | 3’24’’| 2006&lt;br /&gt;4. Deniz Kader &amp;amp; Candaş Şişman | Surface | 2’29’’ | 2008&lt;br /&gt;5. Mert Kızılay | Lover | 5'57'' | 2007&lt;br /&gt;6. Denizcan Yüzgül | Aquarium | 5’15’’ | 2007&lt;br /&gt;&lt;br /&gt;Music Videos and Experimental Works&lt;br /&gt;&lt;br /&gt;1. Ece Kalabak | Radiohead - Jigsaw Falling into Place ( Unofficial)| 1'27''&lt;br /&gt;2. Astrid Rieger | Rimbaud | 5'34'' | 2004&lt;br /&gt;3. Candaş Şişman | Retory | 3’17’’ | 2007&lt;br /&gt;4. Lokman Doğmuş &amp;amp; Erkan Esenoğlu | None | 4’18’’ | 2007&lt;br /&gt;5. Onur Şentürk, Mert Kızılay &amp;amp; Ömer Fasımoğlu | Iskat | 3'34 | 2007&lt;br /&gt;6. Candaş Şişman | Edicisum | 3’38’’ | 2008&lt;br /&gt;7. Thorsten Fleisch | Energie! | 5’ | 2007&lt;br /&gt;8. Kinki Texas | Untitled Clips | 6’40’’ | 2006-08&lt;br /&gt;9. Swamn | Niestroy: Frustration | 1'19’’| 2008&lt;br /&gt;10. Swamn | Untitled | 1'29’’| 2007&lt;br /&gt;&lt;br /&gt;Performance Videos&lt;br /&gt;&lt;br /&gt;1. Funda Özgünaydın | Displacement of a cultural self portrait: Cem Karaca - Funda Özgünaydın | 4'12''| 2007&lt;br /&gt;2. Ger Ger | Black Balloons | 4'26'' | 2008&lt;br /&gt;3. Ger Ger | Play! | 2'04'' | 2007&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-1446254027519680190?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/07/istanbul-off-spaces-berlin.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KSGB9RuX7DQ/SkwfFjGyQbI/AAAAAAAAAVE/S7bfirOKTnY/s72-c/logo2-web.png' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-446090116853198907</guid><pubDate>Thu, 18 Jun 2009 17:08:00 +0000</pubDate><atom:updated>2009-06-18T10:11:31.832-07:00</atom:updated><title>Kurye International Video Festival Teaser</title><description>&lt;object width="400" height="300"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=4925668&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=4925668&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-446090116853198907?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/06/kurye-international-video-festival.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-9042463634396171856</guid><pubDate>Tue, 21 Apr 2009 15:33:00 +0000</pubDate><atom:updated>2009-06-18T10:25:06.988-07:00</atom:updated><title>Kurye International Video Festival</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SjpocKj1qSI/AAAAAAAAAU8/xuMHRZjfpfE/s1600-h/kurye_kartp.jpg"&gt;&lt;img style="cursor: pointer; width: 283px; height: 400px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SjpocKj1qSI/AAAAAAAAAU8/xuMHRZjfpfE/s400/kurye_kartp.jpg" alt="" id="BLOGGER_PHOTO_ID_5348702340536183074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: trebuchet ms;"&gt;KURYE, ULUSLARARASI VİDEOLARI İSTANBUL’LA BULUŞTURUYOR&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;2-12 Haziran tarihlerinde İstanbul’da düzenlenecek Kurye Uluslararası Video Festivali’nin onur konuğu dünyaca ünlü sanatçı Stelarc olacak.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Çağdaş sanatın ve yükselen iletişim mecrası ‘yeni medya’nın vazgeçilmezi videolar, 2 - 12 Haziran tarihleri arasında düzenlenecek Kurye Uluslararası Video Festivali’nde İstanbullu sanatseverlerle buluşacak. Kurye Video Organizasyonu’nun düzenlediği ve uluslararası bir video seçkisinin yanı sıra kapsamlı yan etkinlikleriyle de İstanbul’un dikkatini video sanatı ve yeni medyaya çekmeye hazırlanan festival, Akbank Sanat ve Bilgi Üniversitesi Santral Kampüs’te gerçekleşecek.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Kurye Uluslararası Video Festivali’nin onur konuğu, görüntüleme sistemleri, protez, robotik ve sanal gerçeklik kullanarak işler üreten Avustralyalı ünlü sanatçı Stelarc olacak. İnsan bedeninin sınırlarını keşfetmek amacıyla yola çıkan, insan bedenini ve sanatı, teknoloji ve tıpla birleştirerek gerçekleştirdiği çalışmalarla dünya çapında ses getiren sanatçı Stelarc, 5 Haziran 2009’da Akbank Sanat’ta gerçekleştireceği konuşma ile İstanbullulara yeni bir dünyanın kapılarını aralayacak.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Değerlendirilmeye alınan üç yüzü aşkın video arasından seçilen Kurye Uluslararası Video Festivali Gösterimlerine yirmi iki ülkeden altmış sanatçı katılacak. Festivalde; animasyon ve türleri, müzik videoları, deneysel çalışmalar ve performans videoları başlıkları altında gösterimler sunulacak.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;1999 yılında kurulan ve geçen seneler içinde altmış şehre yayılarak en geniş dijital film festivali haline gelen One Dot Zero Festivali’nden üç seçki; yirmi dokuz şehri bünyesinde barındıran Upgrade International’ın bu seneki Venedik Bienali Türk Pavyonu küratörü Başak Şenova küratörlüğünde gerçekleştirilen 2008 seçkisi; Avrupa çapında prestijli mekân ve film festivallerini bir arayan getiren tek eşzamanlı kısa film yarışması Betting on Shorts şeçkisi; uluslararası arenada oldukça geniş bir ağa sahip olan ve Kurye Video Festivali için Essence/Borders başlığı altında hazırlanan International Art Expo gösterimi; Ukrayna’da başlayan genç bir festival Wiz Art Festivali sunulacak gösterimler arasında yer almakta.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Festival ayrıca Çek Cumhuriyeti ve İsveç’ten özel seçkiler sunacaktır. Çek Cumhuriyeti’nin animasyon ve sinema alanında uzmanlaşan prestijli okulu Film School Zlin çalışmaları ve Swedish Film Institut tarafından derlenen İsveç animasyonları ile izleyenler bu iki ülke animasyonlarını mercek altına alacaklar.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Festivalin en renkli konuklarından biri de Cie Mulleras Dans Topluluğu olacak. İnternette dansın ilk temsilcilerinden olan Cie Mulleras Dans Topluluğu’nun dans, müzik, video ve multimedyanın birbirleriyle etkileşimini öneren “İzler: 96 detay” projesi boDig ortaklığıyla gerçekleştirilen gecede İstanbullu sanatseverlerin karşısında olacak.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Animasyon konusunda dünyanın önde gelen ülkesi Çek Cumhuriyeti’nin animasyon ve sinema alanında uzmanlaşan saygın okulu Film School Zlin ögrencileri ve eğitmenleri tarafından verilecek workshoplar ile Garry Hall, Kirk Woolford, Lanfranco Aceti, Tuna Erdem ve Stelarc’ın katılımıyla gerçekleşecek “Beden ve Teknolojiler” başlıklı konferans festivalin en ilgili çekici etkinlikleri arasında yer alacak.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Kurye Uluslararası Video Festivali on bir gün sürecek ve etkinlikler Akbank Sanat, Bilgi Üniversitesi Santral Kampüs ve Talimhane Tiyatrosu’nda gerçekleşecek.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Festival ile alakalı bilgi ve kapsamlı festival programı için:&lt;a href="http://www.kuryevideo.org"&gt; www.kuryevideo.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Basın için ayrıntılı bilgi: Hanzade Özerten / Taktik İletişim Danışmanlık Ltd. Şti.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;T: 0212 267 18 18&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;hanzade@taktikiletisim.com.tr&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Festival Programı:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Açılış Partisi: 2 Haziran 2009, 21.00, Dirty&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Akbank Sanat Video Gösterim Seansları: 3/4/5/9/10/11/12 Haziran 2009, 12.00- 19.30&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Santral Kampüs Video Gösterimleri: 6-12 Haziran 2009, 12.00-18.00, E1 Binası- 306&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Çek Animasyon Workshopları: 2-4 Haziran 2009, 13.00-18.00, Santral Kampüs E1 Binası- 306&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Stelarc Semineri: 5 Haziran 2009, 19.00, Akbank Sanat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;“Beden ve Teknolojiler” Paneli: 6 Haziran 2009, 12.00, Santral Kampüs, E4 Binası 305&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Cie Mulleras Performansı: 10 Haziran 2009, 20.00, Talimhane Tiyatrosu&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Detaylı Bilgi: &lt;a href="http://www.kuryevideo.org"&gt;www.kuryevideo.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;KURYE, TO BRING INTERNATIONAL VIDEOS TO ISTANBUL&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;The guest of honor for Kurye International Video Festival, which will take place between June 2-12, will be world renowned performance artist Stelarc.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Videos, the rising stars of the contemporary art scene and new media alike, will meet art-lovers of Istanbul between June 2-12 at Kurye International Video Festival. Organized by Kurye Video Organization, the festival is preparing to draw Istanbul’s attention to video art and new media with a wide selection international of videos and extensive parallel events. The festival will take place in Akbank Sanat, Bilgi University Santral Campus and Talimhane Theater.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;The guest of honor of Kurye International Video Festival will be the renowned Australian artist Stelarc, who utilizes medical monitoring technologies, prosthetics, robotics and virtual reality in his works. Setting out to examine the limits of the human body and gaining renown with his works that bring together human body and art with technology and medicine, Stelarc will open up new horizons for the people of Istanbul with his speech on June 5, 2009 at Akbank Sanat.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;From among more than three hundred videos submitted for the festival, Kurye team chose works by 60 artists from 22 countries for screening. These videos, grouped under the main headings of animation, music videos and performance videos, will be screened in seven different sessions (Kurye Animation Selections, Kurye Music Videos and Experimental Works, Kurye Performance Video Selections, Kurye Video Selections) while the festival will also feature selections from numerous international video festivals and organizations.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Animations and music videos from the 2009 selection of the biggest digital film festival of the world, One Dot Zero festival, extending its activities to cover 60 countries since its inception in 1999; 2008 selection of Upgrade International, a network operating in 29 countries, curated by Başak Şenova; 2008 selection of the only synchronized short film festival of the world taking bringing together prestigious film festivals and art venues from Europe and beyond, Betting on Shorts; selection entitled Essence/Borders prepared specifically for Kurye Video Festival by Art Expo; selections from a young festival from Ukraine, Wiz-art Festival are all among the screenings devoted to our global partners.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;The festival will also feature special screenings devoted to Czech Republic and Sweden. Works from the renowned Czech animation and cinema institution, Film School Zlin and Swedish animations selected by Swedish Film Institut will give the audience a chance to focus on the animation scene of these two countries.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;One of the most colorful guests of the festival will be Cie Mulleras Dance Company. One of the first representatives of dance on internet, Mulleras Dance Company will present its new project synthesizing dance, music, video and multimedia, “Traces 96 Details”. The event will be realized in collaboration with boDig.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;One of the leading countries of the world in the field of animation, Czech Republic will be presented by workshops given by instructors and students from the prestigious Film School Zlin. The seminar on “Body, Technology and Art”, which will be realized with the attendance of Gary Hall, Kirk Woolford, Lanfranco Aceti, Tuna Erdem and Stelarc will be yet another highlight of the festival.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Kurye International Video Festival will last 11 days and will take place in Akbank Sanat, Bilgi University Santral Campus and Talimhane Theater.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;For more detailed info about the festival and screening program: &lt;a href="http://www.kuryevideo.org"&gt;www.kuryevideo.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;For more detailed press info: Hanzade Özerten / Taktik Communication&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;T: 0212 267 18 18&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;hanzade@taktikiletisim.com.tr&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Festival Program:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Opening Party: June 2, 21.00, Dirty&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Akbank Sanat Video Screenings: June 3/4/5/9/10/11/12, 2009, 12:00- 19:30&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Bilgi University Santral Campus Video Screenings: June 6-12, 2009, 12:00-18:00, E1 Building – Room 306&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Czech Animation Workshops: June 2-4, 2009, 13:00-18:00, Santral Campus, E1 Building – Room 306&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Stelarc Seminar: June 5, 2009, 19:00, Akbank Sanat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;“Body, Technology and Art” Panel: June 6, 2009, 12:00, Bilgi University Santral Campus E4 Building – Room 305&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;Cie Mulleras Performance: June 10, 2009, 20:00, Talimhane Theater&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;For further information: &lt;a href="http://www.kuryevideo.org"&gt;www.kuryevideo.org &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Cirmak%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PersonName"&gt;&lt;/o:smarttagtype&gt;&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5Cirmak%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5Cirmak%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;TR&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="--"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="0" name="Hyperlink"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if !mso]&gt;&lt;object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id="ieooui"&gt;&lt;/object&gt; &lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt; &lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:162; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face 	{font-family:Calibri; 	panose-1:2 15 5 2 2 2 4 3 2 4; 	mso-font-charset:162; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1073750139 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-fareast-font-family:"Times New Roman"; 	mso-bidi-font-family:"Times New Roman";} a:link, span.MsoHyperlink 	{mso-style-unhide:no; 	color:blue; 	text-decoration:underline; 	text-underline:single;} a:visited, span.MsoHyperlinkFollowed 	{mso-style-noshow:yes; 	mso-style-priority:99; 	color:purple; 	mso-themecolor:followedhyperlink; 	text-decoration:underline; 	text-underline:single;} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	font-size:10.0pt; 	mso-ansi-font-size:10.0pt; 	mso-bidi-font-size:10.0pt; 	mso-ascii-font-family:Calibri; 	mso-hansi-font-family:Calibri;} @page Section1 	{size:612.0pt 792.0pt; 	margin:70.85pt 70.85pt 70.85pt 70.85pt; 	mso-header-margin:35.4pt; 	mso-footer-margin:35.4pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin:0cm; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults ext="edit" spidmax="1026"&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout ext="edit"&gt;   &lt;o:idmap ext="edit" data="1"&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;" &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style=";font-family:&amp;quot;;" &gt;&lt;b style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-9042463634396171856?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/04/kurye-international-video-festival.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KSGB9RuX7DQ/SjpocKj1qSI/AAAAAAAAAU8/xuMHRZjfpfE/s72-c/kurye_kartp.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-7335962165231254729</guid><pubDate>Sat, 28 Feb 2009 16:16:00 +0000</pubDate><atom:updated>2009-03-12T13:12:26.800-07:00</atom:updated><title>Kurye Video Festivali Açık Çağrı Metni / Kurye International Video Festival: Open Call</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SbKvSK2YsnI/AAAAAAAAAUc/kGFQr-VwVR0/s1600-h/k1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 120px; height: 120px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SbKvSK2YsnI/AAAAAAAAAUc/kGFQr-VwVR0/s400/k1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5310499637308207730" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;scroll down for english&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kurye Uluslararası Video Festivali Açık Çağrı Metni&lt;br /&gt;&lt;br /&gt;Kurye Uluslararası Video Festivali bu sene kendi ismi altında ve yenilenmiş yapısıyla 2-12 Haziran arası Aksanat’ta gerçekleşecek. Kurye Video Organizasyonu, yönetim ve içeriğini üstlendiği Kargart Uluslararası Video Festivalleri’nde 3 yıl boyunca 23 ülkeden 110 sanatçının katılımıyla 200’ün üzerinde video gösterdi. Dört senedir video alanında yerel ve uluslararası arenada sayısız etkinliğe imza atmış ve Türkiye’nin en geniş video arşivine sahip olan Kurye, bu yaz organize edeceği Kurye Uluslararası Video Festivali kapsamında Aksanat gibi çağdaş sanat, sinema ve festival organizasyonu alanında önemli bir kültür kurumunun işbirliğiyle öncelikle Türkiye’nin ve ardından dünyanın en önemli video festivallerinden biri haline gelme konusunda önemli bir adım atmış oluyor.  &lt;br /&gt;&lt;br /&gt;Kurye Uluslararası Video Festivali’nin temel amacı, çağdaş sanatın odak noktasında olan video sanatı ve yeni medyaya vurgu yaparak, İstanbul’u dünya çapında cazip bir festival merkezi haline getirmektir. İstanbul’da yapılan festival organizasyonlarına yeni bir bakış açısı getirmek, genç ve eğitimli organizatörler tarafından sürdürülebilirlik gösterecek ve bu alana hareketlilik getirecek yaratıcı organizasyon biçimlerine örnek ve kaynak oluşturmak Kurye Video Festivali’nin amaçları arasındadır.&lt;br /&gt;&lt;br /&gt;Haziran 2009’da Aksanat’ta gerçekleştirilecek Kurye Uluslararası Video Festivali yerel ve uluslararası video seçkileri sunarken düzenleyeceği workshop, panel, seminer ve performanslarla hem bu sektörde çalışan hem de bu sektörü merak eden kişilere eğitici bilgiler vermeyi amaçlamaktadır. Festivalin her sene videonun belli türleri üzerinde odaklanarak düzenlenmesi planlanmaktadır. Bu seneki festival, Türkiye’de video ve yeni medya alanındaki gelişme ve hareketliliklerin paralelinde 3 alana odaklanacaktır. &lt;br /&gt;&lt;br /&gt;- Animasyon ve türleri, &lt;br /&gt;- Motion Graphics/Müzik Videoları, &lt;br /&gt;- Performans video ve dökümantasyonları.&lt;br /&gt;&lt;br /&gt;Başvuru Prosedürü&lt;br /&gt;&lt;br /&gt;- Katılmak isteyen sanatçılar, videolarını posta yoluyla verilen adrese göndermek zorundadırlar.&lt;br /&gt;- Videoların DVD formatına aktarılmış olması gerekmektedir. (AUDIO_TS VIDEO_TS dosyalarını barındıran standart DVD PAL Formatı)&lt;br /&gt;- DVD üzerine çalışmanın adını, süresini, yapım yılını yazınız.&lt;br /&gt;- Özgeçmişlerini, videoların kısa tanıtım yazılarını ve yüksek çözünürlükte (300dpi, CMYK) görsellerini bize ulaştırmayan katılımcıların işleri sergilenmeyecektir. Bunları lütfen data olarak CD’ye kaydediniz.&lt;br /&gt;- Filmin orijinal dili İngilizce değilse, önizleme kopyası altyazılı olmalıdır.&lt;br /&gt;- Canlı performans veya yerleştirme ile sergiye katılmak isteyenlerin, projelerini detaylı olarak anlatan ve mekan içinde istedikleri gereklilikleri belirten bir doküman hazırlamaları gerekmektedir. &lt;br /&gt;&lt;br /&gt;Son Başvuru Tarihi: 20 Nisan 2009&lt;br /&gt;&lt;br /&gt;Eleme ve Duyuru&lt;br /&gt;10 Mayıs tarihine kadar SADECE çalışmaları seçilen sanatçılara haber verilecektir. &lt;br /&gt;&lt;br /&gt;Videolarınızı lütfen şu adrese yollayınız: &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Irmak Arkman&lt;br /&gt;Kaşaneler Çıkmazı Sok &lt;br /&gt;Ahenk apt. no: 4/11 34738&lt;br /&gt;Erenköy/ İstanbul/ Türkiye&lt;br /&gt;&lt;br /&gt;Gönderme Masrafları&lt;br /&gt;Katılımcılar, videolarının gönderme masraflarını üstleneceklerdir.&lt;br /&gt;&lt;br /&gt;Geri Gönderme&lt;br /&gt;Hiçbir başvuru geri gönderilmeyecek, Kurye Video Org. arşivinde kalacaktır.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Detaylı Bilgi için:&lt;br /&gt;&lt;br /&gt;info@kuryevideo.org&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;www.couriervideo.blogspot.com&lt;br /&gt;www.kuryevideo.org&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kurye International Video Festival: Open Call&lt;br /&gt;&lt;br /&gt;This year, Kurye International Video Festival will take place under its own name and with its new structure at Aksanat between June 2-12. Over the past three years, Kargart International Video Festival featured more than 200 videos by 23 artists from 23 countries under the management and content supervision of Kurye Video Organization. Kurye has also organized numerous events both in Turkey and abroad and has compiled the most extensive international video archive of Turkey. This year, by starting a cooperation with one of the most important art institutions of Turkey -Aksanat, Kurye is taking yet another big step towards becoming the most notable video festival of Turkey and in a couple of years one of the most notable festivals of the world. &lt;br /&gt;&lt;br /&gt;The main aim of Kurye International Video Festival is to promote Istanbul as a center of attraction as a festival scene by focusing on the rising stars of the contemporary art world –video art and new media. It also strives to set a new standard in terms of festival organization in Istanbul by working with a team of young and expert organizers and by putting sustainability before easy profit and to act as an example for the use of alternative and creative organizational techniques in order to enliven the field of video art.&lt;br /&gt;&lt;br /&gt;This year, Kurye International Video Festival will take place between June 2-12 and feature national and international video screenings. It will also help inform people who work in this industry –or who are just interested in video art- through the organization of parallel events –numerous workshops, a seminar, a panel and a live performance. Starting this year, the festival will focus on certain different types of video art every year. This year, taking into consideration the developments in new media and video in Turkey, the festival organization decided to focus on the following three fields: &lt;br /&gt;&lt;br /&gt;- Animation &lt;br /&gt;- Motion Graphics/Music Videos, &lt;br /&gt;- Performance videos and documentations.&lt;br /&gt;&lt;br /&gt;Application Procedure&lt;br /&gt;&lt;br /&gt;- Applicants should make sure that the videos are sent via mail to the designated address below. &lt;br /&gt;- Videos should be transferred into standart DVD format, must be PAL and region free and only contain AUDIO_TS VIDEO_TS folder.&lt;br /&gt;- Make sure that your (DVD PAL) works on different DVD players.&lt;br /&gt;- Indicate the ideal viewing conditions both for monitor and projection.&lt;br /&gt;- Indicate on the DVD title of your work, your name, year and running time. &lt;br /&gt;- Those applicants who fail to deliver their CVs, short description texts and high resolution images (on a separate CD-ROM) of their videos will not qualify. The still images must have the same title as the movie with numbers and to be in JPG format, 300 dpi and CMYK colour.&lt;br /&gt;- If the submitted video is not in English, the preview copy should include English subtitles.&lt;br /&gt;- Those who wish to take part in the festival with a live performance or installation should prepare a document describing their project and technical requirements in detail. &lt;br /&gt;&lt;br /&gt;Application Deadline: April 20, 2009&lt;br /&gt;&lt;br /&gt;Selection and Announcement&lt;br /&gt;The announcements will be made before May 10. ONLY those who qualify will be notified. &lt;br /&gt;Individual queries concerning the selection process will not be answered.&lt;br /&gt;&lt;br /&gt;Please send a DVD copy of your video to the below address:&lt;br /&gt;Kaşaneler Çıkmazı Sok &lt;br /&gt;Ahenk apt. no: 4/11 34738&lt;br /&gt;Erenköy/ Istanbul/ TURKEY&lt;br /&gt;&lt;br /&gt;Shipment Costs&lt;br /&gt;Applicants will cover the shipment costs themselves. &lt;br /&gt;&lt;br /&gt;Return of Documentation&lt;br /&gt;No application will be returned. All the material will remain as archive of Kurye Video Org. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;For more detailed info:&lt;br /&gt;&lt;br /&gt;info@kuryevideo.org&lt;br /&gt;&lt;br /&gt;www.couriervideo.blogspot.com&lt;br /&gt;www.kuryevideo.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-7335962165231254729?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/02/kurye-uluslararas-video-festivali-ack.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KSGB9RuX7DQ/SbKvSK2YsnI/AAAAAAAAAUc/kGFQr-VwVR0/s72-c/k1.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-7766622677591388391</guid><pubDate>Thu, 29 Jan 2009 23:08:00 +0000</pubDate><atom:updated>2009-02-04T04:51:48.550-08:00</atom:updated><title>Kurye Video Kayıtdışı'nda</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SYI3J6gDnoI/AAAAAAAAAUU/21oxA5CvCRQ/s1600-h/kayitdisi02oq1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 68px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SYI3J6gDnoI/AAAAAAAAAUU/21oxA5CvCRQ/s400/kayitdisi02oq1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5296856755203186306" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SYI3IywosAI/AAAAAAAAAUM/YaRPGTmC--Q/s1600-h/liminal.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 140px;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SYI3IywosAI/AAAAAAAAAUM/YaRPGTmC--Q/s400/liminal.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5296856735945371650" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kurye Video Organizasyon, 5 Şubat'ta Kayıtdışı'nda...&lt;br /&gt;&lt;br /&gt;Kayıtdışı02 tasarım haftası, bu sene 2-7 Şubat tarihleri arasında YTÜ Mimarlık Fakültesi'nde gerçekleşiyor. Bir hafta boyunca üzerine konuşulacak, tartışılacak ve üretim yapılacak tema ise 'liminal'&lt;br /&gt;&lt;br /&gt;Kayıtdışı02 kapsamında gerçekleşecek gece etkinliklerine Kurye Video Organizasyon da tema bağlamında video gösterimleriyle destek veriyor.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*Video gösterimleri herkese açık olup, ücretsizdir.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;-Video gösterimleri saat 21.00 civarında başlayacaktır.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;http://couriervideo.blogspot.com&lt;br /&gt;http://www.kayitdisi.org/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-7766622677591388391?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2009/01/kurye-video-organizasyon-5-subatta.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KSGB9RuX7DQ/SYI3J6gDnoI/AAAAAAAAAUU/21oxA5CvCRQ/s72-c/kayitdisi02oq1.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-1459943825648949786</guid><pubDate>Mon, 08 Dec 2008 01:59:00 +0000</pubDate><atom:updated>2008-12-07T18:04:02.259-08:00</atom:updated><title>Fwd: Mobil Teknoloji Projesine Yardım</title><description>(scroll down for english)&lt;br /&gt;&lt;br /&gt;Aşağıda okuyacağınız Lemeh42 adında, İtalya'da video sanatı üzerine çalışan bir gruptan elimize ulaştı. Kendileri bir proje için yardım istiyorlar. Bize ulaştırdıkları metni türkçeye çevirip aynen aktarıyoruz.&lt;br /&gt;&lt;br /&gt;"Selam,&lt;br /&gt;&lt;br /&gt;"Mobil" başlığında bir projemiz için sizinle iletişime geçiyoruz ve yardımlarınıza ihtiyacımız var.&lt;br /&gt;&lt;br /&gt;Bu proje insan ve mobil teknolojiler arasındaki ilişkiyi cep telefonları üzerinden irdeliyor.&lt;br /&gt;&lt;br /&gt;Projemiz cep telefonlarıyla konuşan ya da mesaj yazan insanların hareketleriyle oluşturulacak bir seriyi içeriyor.&lt;br /&gt;&lt;br /&gt;İhtiyacımız olan ise sizin, arkadaşlarınızın ya da ailenizden birinin cep telefonu kullanırkenki bir fotoğrafı.&lt;br /&gt;&lt;br /&gt;Bu haberi yayarsanız bize çok çok yardımcı olmuş olursunuz...&lt;br /&gt;&lt;br /&gt;Fotoğraf maksimum 500x600 piksel ve çözünürlükleri de 300 dpi olmalı&lt;br /&gt;&lt;br /&gt;Tüm fotoğraflar portreler yaratmak için ve bir kısa animasyon yapmak için kullanılacaktır.&lt;br /&gt;&lt;br /&gt;Bize yardımcı olacak kişilere şimdiden teşekkür ederiz. Yardım eden herkesin ismini de credits bölümünde yayınlayacağız...&lt;br /&gt;&lt;br /&gt;Fotoğraflarınızı: lemeh42@gmail.com adresine göndermeniz yeterlidir.&lt;br /&gt;&lt;br /&gt;Hepinize teşekkür ederiz.&lt;br /&gt;&lt;br /&gt;Lemeh42"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hi, we are contacting you because we have started a new project entitled "Mobile" and we need your precious help.&lt;br /&gt;This project deals with the relation between person and mobile tehcnology, in particular cell phones.&lt;br /&gt;Our project will consists in a series of portraits of people in the act of using their mobile to phone or to text.&lt;br /&gt;So what we need is a picture of you, your friends, your family members using a mobile.&lt;br /&gt;Of course if you could spread the news it would very very helpful for us...&lt;br /&gt;&lt;br /&gt;The picture should be approximately: 500x600 pixel max, res. 300 dpi&lt;br /&gt;&lt;br /&gt;All the pictures will be used to create the portraits and a short animation.&lt;br /&gt;&lt;br /&gt;To thank all those that will have helped us, we will credits them...&lt;br /&gt;&lt;br /&gt;Just send the pictures to this mail address&lt;br /&gt;&lt;br /&gt;Bye for now and thank you very very much in advance&lt;br /&gt;&lt;br /&gt;Lemeh42&lt;br /&gt;&lt;br /&gt;send photos: lemeh42@gmail.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-1459943825648949786?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/12/fwd-mobil-teknoloji-projesine-yardm.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-3732507157752922459</guid><pubDate>Wed, 12 Nov 2008 11:01:00 +0000</pubDate><atom:updated>2008-11-12T03:03:03.348-08:00</atom:updated><title>Betting On Shorts Film Festivali İstanbul’da!</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SRq33f6AUPI/AAAAAAAAARI/iGtWDx6oupE/s1600-h/poster2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 285px; height: 400px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SRq33f6AUPI/AAAAAAAAARI/iGtWDx6oupE/s400/poster2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5267724878248694002" /&gt;&lt;/a&gt;&lt;br /&gt;Dünyanın 12 şehrinde aynı anda gösterilecek Betting On Shorts (BoSs) Kısa Film Festivali 21 Kasım Cuma günü 20:30’da Kadir Has Üniversitesi Büyük Sinema Salonu’nda İletişim Fakültesi tarafından gerçekleşecek. İstanbul ayağını NOMAD’tan Başak Şenova ve Kurye Video Organizasyonu’ndan Irmak Arkman’ın üstleneceği gecede gösterilen videolar tüm kentlerde oluşturulan seçkin juri üyeleri tarafından oylanacak ve birinci BoSs tarafından ödüllendirilecek. Seyircilerin de oylama hakkı olacağı gecede birinciyi bilen şanslı izleyiciyi ise süpriz bir ödül beklemekte.&lt;br /&gt;&lt;br /&gt;Betting on Shorts Avrupa çapında ve ötesinde prestijli mekan ve film festivallerini bir arayan getiren tek eşzamanlı kısa film yarışmasıdır. “Kısa Film Eurovision’u” olarak tanımlayabileceğimiz festival, bu seneki konusunu Dizzy Gillespie’nin “Jones’larla aşık atmaya çalışmayın. Bizden daha çok paraları var.” sözüne ithafen “Para, Para, Para” olarak belirledi. “Jones’larla aşık atmaya çalışmayın; daha iyisini yapın ve bize çekebileceğiniz en iyi filmi gönderin!” teziyle yola çıkan BoSs ekibi dünyanın dört bir yanından gelen videoları eleyerek, 17 videoya indirdi. Şimdi sıra Atina (Yunanistan), Barselona (İspanya), Maribor (Slovenya), Bükreş (Romanya), Napoli (İtalya), Novi Sad (Sırbistan), Istanbul (Türkiye), Londra (İngiltere), Paris (Fransa), Poznan (Polonya), Stockholm (İsveç), Wiesbaden (Almanya) şehirlerinde oluşturulan juride. Bu farklı organizasyonun Kadir Has Üniversitesi’nde gerçekleştirilecek İstanbul ayağının jürisi ise Prof. Dr. Louise SPENCE (Kadir Has Üniversitesi, Radyo-Televizyon ve Sinema), Yard. Doç. Dr. Yoram CHISIK (Kadir Has Üniversitesi, Orton AKINCI (!F Film Festivali/Resfest), Irmak ARKMAN (Kurye Video Organizasyonu), İletişim Tasarımı olarak belirlendi. &lt;br /&gt;&lt;br /&gt;Bu geniş çaplı organizasyon, Londra’dan Institute of Contemporary Arts (ICA) , Atina’dan Mikrokosmos Prince Filmcenter, Barselona’dan Centre de Cultura Contemporània de Barcelona (CCCB), Bükreş’ten Institutul Cultural Roman, İstanbul’dan NOMAD ve Kurye Video Organizasyonu, Maribor’dan KIBLA Multimedia Center, Napoli’den Il Lanificio, Novi Sad’tan Art Klinika, Paris’ten Point Ephémère, Poznan’dan Kino Rialto, Stockholm’den Teater Scenario, Wiesbaden’den Kulturpalast tarafından gerçekleştiriliyor.&lt;br /&gt;&lt;br /&gt;2008 BoSs Kısa Film Listesi (orjinal isimleri ile)&lt;br /&gt;&lt;br /&gt;1. What Money is&lt;br /&gt;Dir. Eduardo Thomas, Meksika, 2008, deneysel&lt;br /&gt;2. Not for good&lt;br /&gt;Dir. Lindsay Knight, İngiltere, 2008, animasyon/belgesel&lt;br /&gt;3. Trotzdem Danke (Thanks Anyway) &lt;br /&gt;Dir. Mischa Leinkauf &amp; Matthias Wermke, Almanya, 2007, sanatçı dökümantasyonu&lt;br /&gt;4. Kupe and the Whale&lt;br /&gt;Dir. Nicholas Tayler, İngiltere, 2007, sanatçı filmi&lt;br /&gt;5. Valuta&lt;br /&gt;Dir. Roland Fuhrmann, Almanya, 2006, sanatçı filmi&lt;br /&gt;6. Apple &amp; Ei&lt;br /&gt;Dir. Ahmet Tas, Almanya, 2007, deneysel belgesel&lt;br /&gt;7. Zombie&lt;br /&gt;Dir. Tessa Garland, İngiltere, 2008, sanatçı filmi&lt;br /&gt;8. Sådan far, sådan död (Like father, like death)&lt;br /&gt;Dir. Adi &amp; Mak Omanovic, İsveç, 2008, konulu film&lt;br /&gt;9. MyDeath.com&lt;br /&gt;Dir. Colette Copeland, USA, 2007, sanatçı filmi&lt;br /&gt;10. Advertising&lt;br /&gt;Florin Piersic jr., Romanya, 2004, konulu film&lt;br /&gt;11. Dr. Mori's Teleshopping&lt;br /&gt;Dir. Spiros Jacovides, Yunanistan, 2008, reklam&lt;br /&gt;12. Pilgrimage to Yiwu&lt;br /&gt;Florencia Guillen, Çin, 2007, belgesel&lt;br /&gt;13. 100 $ in 100 seconds&lt;br /&gt;Dir. Bosse Sudenburg, USA/Almanya, 2005, deneysel&lt;br /&gt;14. Per fare un tavolo (How to make a table) &lt;br /&gt;Lemeh42, Italya, 2008, animasyon&lt;br /&gt;15. Last Hand Standing&lt;br /&gt;Dir. Paul Cotter, USA, 2003, konulu film&lt;br /&gt;16. Casitas (Little Houses)&lt;br /&gt;Dir. Juan Carlos Mostaza, İspanya, 2008, animasyon&lt;br /&gt;17. The Bungee Jump Skeleton Man&lt;br /&gt;Dir. Rune Eriksson, Norveç, 2006, müzik/ animasyon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ayrıntılı bilgi için: &lt;br /&gt;www. bettingonshorts.com&lt;br /&gt;www.nomad-tv.net&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-3732507157752922459?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/11/betting-on-shorts-film-festivali.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KSGB9RuX7DQ/SRq33f6AUPI/AAAAAAAAARI/iGtWDx6oupE/s72-c/poster2.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-8399670282891948385</guid><pubDate>Sun, 02 Nov 2008 18:37:00 +0000</pubDate><atom:updated>2008-11-02T10:47:36.163-08:00</atom:updated><title>Kurye Video@2010 booth_718 / Tüyap Artist Fair 1-9 November</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31vyLHUeI/AAAAAAAAAQI/kwgia-HxIYI/s1600-h/blog16.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31vyLHUeI/AAAAAAAAAQI/kwgia-HxIYI/s400/blog16.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264133740737024482" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ31g6q49LI/AAAAAAAAAQA/SVdagDHpqns/s1600-h/blog15.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ31g6q49LI/AAAAAAAAAQA/SVdagDHpqns/s400/blog15.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264133485319746738" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31gVTVUhI/AAAAAAAAAP4/NWQJ9DARmX8/s1600-h/blog14.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31gVTVUhI/AAAAAAAAAP4/NWQJ9DARmX8/s400/blog14.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264133475288830482" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SQ31fnpm64I/AAAAAAAAAPw/-bEqrPrDwVs/s1600-h/blog13.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SQ31fnpm64I/AAAAAAAAAPw/-bEqrPrDwVs/s400/blog13.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264133463034227586" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31feB9yiI/AAAAAAAAAPo/sZXkt8-YYcg/s1600-h/blog12.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31feB9yiI/AAAAAAAAAPo/sZXkt8-YYcg/s400/blog12.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264133460452035106" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SQ31fAqt_ZI/AAAAAAAAAPg/ApmbgFfZpFg/s1600-h/blog11.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SQ31fAqt_ZI/AAAAAAAAAPg/ApmbgFfZpFg/s400/blog11.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264133452569902482" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ30eA0WGeI/AAAAAAAAAPY/HqdL26hVZ84/s1600-h/blog10.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ30eA0WGeI/AAAAAAAAAPY/HqdL26hVZ84/s400/blog10.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264132335918782946" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ30d9yfW-I/AAAAAAAAAPQ/bLxMJo0ttv8/s1600-h/blog9.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ30d9yfW-I/AAAAAAAAAPQ/bLxMJo0ttv8/s400/blog9.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264132335105694690" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ30du89sUI/AAAAAAAAAPI/L2iXVl_CC_Q/s1600-h/blog8.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ30du89sUI/AAAAAAAAAPI/L2iXVl_CC_Q/s400/blog8.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264132331123093826" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ30c4SYdcI/AAAAAAAAAPA/_TTxbsXJrGI/s1600-h/blog7.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ30c4SYdcI/AAAAAAAAAPA/_TTxbsXJrGI/s400/blog7.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264132316448978370" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ30csR0JnI/AAAAAAAAAO4/xE1HdsGaZ-Q/s1600-h/blog+6.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ30csR0JnI/AAAAAAAAAO4/xE1HdsGaZ-Q/s400/blog+6.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264132313225373298" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z66evuxI/AAAAAAAAAOw/g9bcvIuS9sA/s1600-h/blog+5.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z66evuxI/AAAAAAAAAOw/g9bcvIuS9sA/s400/blog+5.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264131732922153746" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z6pkF5xI/AAAAAAAAAOo/VocShhwqwiM/s1600-h/blog4.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z6pkF5xI/AAAAAAAAAOo/VocShhwqwiM/s400/blog4.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264131728381175570" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z6NBEExI/AAAAAAAAAOg/spSdM8liuhk/s1600-h/blog3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z6NBEExI/AAAAAAAAAOg/spSdM8liuhk/s400/blog3.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264131720718062354" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z5qP3lYI/AAAAAAAAAOY/J8H_cbpLJGA/s1600-h/blog2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z5qP3lYI/AAAAAAAAAOY/J8H_cbpLJGA/s400/blog2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264131711384917378" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z5T7T__I/AAAAAAAAAOQ/5AcAd5Sm_44/s1600-h/blog1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SQ3z5T7T__I/AAAAAAAAAOQ/5AcAd5Sm_44/s400/blog1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5264131705393119218" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-8399670282891948385?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/11/kurye-video2010-booth718-tyap-artist.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KSGB9RuX7DQ/SQ31vyLHUeI/AAAAAAAAAQI/kwgia-HxIYI/s72-c/blog16.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-8034848949890185800</guid><pubDate>Wed, 22 Oct 2008 18:56:00 +0000</pubDate><atom:updated>2008-10-22T12:00:05.797-07:00</atom:updated><title>Tan Cemal Genç Pinhani Klibi</title><description>Tan Cemal Genç'in Pinhani grubu için hazırladığı video tv'den sonra myspace'te&lt;br /&gt;&lt;br /&gt;http://vids.myspace.com/index.cfm?fuseaction=vids.individual&amp;VideoID=45073861&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-8034848949890185800?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/10/tan-cemal-gen-pinhani-klibi.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-6026034089823422569</guid><pubDate>Wed, 22 Oct 2008 18:28:00 +0000</pubDate><atom:updated>2008-10-22T11:56:12.105-07:00</atom:updated><title>Contemporary Istanbul 2008 Kurye Video Org. Standı</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP927Uk1a8I/AAAAAAAAANw/_3ei3ZxDPmo/s1600-h/low_SL741707.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP927Uk1a8I/AAAAAAAAANw/_3ei3ZxDPmo/s400/low_SL741707.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260053651299593154" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP927qC5IlI/AAAAAAAAAN4/aboK5BIxjYc/s1600-h/low_SL741714.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP927qC5IlI/AAAAAAAAAN4/aboK5BIxjYc/s400/low_SL741714.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260053657062810194" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP928PGj6bI/AAAAAAAAAOA/4w7dut8semI/s1600-h/low_SL741715.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP928PGj6bI/AAAAAAAAAOA/4w7dut8semI/s400/low_SL741715.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260053667010308530" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP928mB1Z5I/AAAAAAAAAOI/CiKGHcasW8o/s1600-h/low_SL741716.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP928mB1Z5I/AAAAAAAAAOI/CiKGHcasW8o/s400/low_SL741716.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260053673164498834" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP9168jFNJI/AAAAAAAAANI/B6ZMEJ2hR5s/s1600-h/low_SL741697.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP9168jFNJI/AAAAAAAAANI/B6ZMEJ2hR5s/s400/low_SL741697.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260052545338160274" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SP917yJusOI/AAAAAAAAANQ/5dplunlNrog/s1600-h/low_SL741700.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SP917yJusOI/AAAAAAAAANQ/5dplunlNrog/s400/low_SL741700.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260052559727341794" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP918MQmaeI/AAAAAAAAANY/LIlQ8ukBeVo/s1600-h/low_SL741702.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP918MQmaeI/AAAAAAAAANY/LIlQ8ukBeVo/s400/low_SL741702.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260052566735481314" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP918aRxU4I/AAAAAAAAANg/uQn0blJGk_k/s1600-h/low_SL741703.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP918aRxU4I/AAAAAAAAANg/uQn0blJGk_k/s400/low_SL741703.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260052570498487170" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SP918uBDzAI/AAAAAAAAANo/M8_yz_HyO8E/s1600-h/low_SL741706.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SP918uBDzAI/AAAAAAAAANo/M8_yz_HyO8E/s400/low_SL741706.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260052575797103618" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP902xVZ0iI/AAAAAAAAAMg/Jt3owNhn1VI/s1600-h/low_SL741687.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP902xVZ0iI/AAAAAAAAAMg/Jt3owNhn1VI/s400/low_SL741687.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260051374096896546" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP903NYohuI/AAAAAAAAAMo/GYq6k1IrTWY/s1600-h/low_SL741688.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP903NYohuI/AAAAAAAAAMo/GYq6k1IrTWY/s400/low_SL741688.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260051381626636002" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP903R_pVMI/AAAAAAAAAMw/lk3r1RFiK7Y/s1600-h/low_SL741689.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP903R_pVMI/AAAAAAAAAMw/lk3r1RFiK7Y/s400/low_SL741689.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260051382864008386" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP903_H7j2I/AAAAAAAAAM4/zADH_mUx14U/s1600-h/low_SL741690.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP903_H7j2I/AAAAAAAAAM4/zADH_mUx14U/s400/low_SL741690.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260051394978352994" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP904Dh4yQI/AAAAAAAAANA/u3tqMEary7k/s1600-h/low_SL741692.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP904Dh4yQI/AAAAAAAAANA/u3tqMEary7k/s400/low_SL741692.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260051396160964866" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP9znZb-lnI/AAAAAAAAAMY/JV317-af4Vg/s1600-h/low_SL741684.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP9znZb-lnI/AAAAAAAAAMY/JV317-af4Vg/s400/low_SL741684.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260050010472355442" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP9y4u_UdQI/AAAAAAAAAMQ/2StzjsedG1M/s1600-h/low_SL741612.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP9y4u_UdQI/AAAAAAAAAMQ/2StzjsedG1M/s400/low_SL741612.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260049208803882242" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP9yeBbzIZI/AAAAAAAAAMI/oQtM4PJNbTk/s1600-h/low_SL741608.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SP9yeBbzIZI/AAAAAAAAAMI/oQtM4PJNbTk/s400/low_SL741608.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260048749898703250" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP9xKIAoo0I/AAAAAAAAAL4/bXs-888K9zI/s1600-h/low_SL741589.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SP9xKIAoo0I/AAAAAAAAAL4/bXs-888K9zI/s400/low_SL741589.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5260047308554806082" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-6026034089823422569?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/10/contemporary-istanbul-2008-kurye-video.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KSGB9RuX7DQ/SP927Uk1a8I/AAAAAAAAANw/_3ei3ZxDPmo/s72-c/low_SL741707.JPG' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-5264051503195677056</guid><pubDate>Tue, 14 Oct 2008 10:05:00 +0000</pubDate><atom:updated>2008-10-14T03:19:34.988-07:00</atom:updated><title>Kurye Video Org. @ Contemporary İstanbul</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SPRxnmyhRZI/AAAAAAAAALw/opI7JRVaPHw/s1600-h/tasarim.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SPRxnmyhRZI/AAAAAAAAALw/opI7JRVaPHw/s400/tasarim.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256951590289491346" /&gt;&lt;/a&gt;&lt;br /&gt;Kurye Video Organizasyonu 16-19 Ekim arası Lütfi Kırdar'da gerçekleşen 3. Contemporary İstanbul Çağdaş Sanat Fuarı'na katılıyor. 2010 Ajansı tarafından 120m2lik alanda yeralacak inisiyatif ve STK'larla(5533, K2, Amber, Mimarlar Odası, Ura, Caravansarai, Hafriyat, Depo)aynı alanda yeralan kurye standı daire 5 tasarım ofisi tarafından dizayn edildi ve jenerikler özel olarak Mehmetcan Serinkaya tarafından hazırlandı. Değişik bir video seyretme alanı hazırlayacak Kurye Video Org. Standına hepinizi bekliyoruz.&lt;br /&gt;&lt;br /&gt;Ayrıca, kim bu Kurye ne yapar ve biz Kurye arşivine nasıl dahil olabiliriz soruları kafasına takılan sanatçıları tanışmak ve işlerini paylaşmak adına fuar alanında bekliyor olacağız. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kurye Video Organization will be presented at the most important art fair of Turkey, Contemporary Istanbul , with the support and sponsorship of Istanbul 2010 European Capital of Culture Agency. Kurye Video Organization is bound to attract a lot of attention with its custom-made stand and video screening venue and is aiming to offer a wide range of videos to the 60,000 plus visitors that these fairs expecting to attract.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-5264051503195677056?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/10/kurye-video-org-contemporary-istanbul.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KSGB9RuX7DQ/SPRxnmyhRZI/AAAAAAAAALw/opI7JRVaPHw/s72-c/tasarim.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-7621671262450615760</guid><pubDate>Mon, 29 Sep 2008 14:12:00 +0000</pubDate><atom:updated>2008-11-05T15:53:49.203-08:00</atom:updated><title>00000000,-10 Group Exhibition</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODizHbyx0I/AAAAAAAAALo/W0GEuwkRIMM/s1600-h/-10.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODizHbyx0I/AAAAAAAAALo/W0GEuwkRIMM/s400/-10.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5251446533310826306" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SRIZIQDtseI/AAAAAAAAARA/W1Brcpo8KVU/s1600-h/SL741567.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SRIZIQDtseI/AAAAAAAAARA/W1Brcpo8KVU/s400/SL741567.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5265298543889723874" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SRIZH2OJdzI/AAAAAAAAAQ4/gDF43L611eU/s1600-h/SL741561.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SRIZH2OJdzI/AAAAAAAAAQ4/gDF43L611eU/s400/SL741561.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5265298536954165042" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SRIZHhQAS7I/AAAAAAAAAQw/N_tsTeQ3d5I/s1600-h/DSC_0045.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 268px;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SRIZHhQAS7I/AAAAAAAAAQw/N_tsTeQ3d5I/s400/DSC_0045.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5265298531324808114" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SRIZHXADPrI/AAAAAAAAAQo/XkOKjpksmkQ/s1600-h/DSC_0029.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 268px;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SRIZHXADPrI/AAAAAAAAAQo/XkOKjpksmkQ/s400/DSC_0029.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5265298528573537970" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SRIZHKZRrUI/AAAAAAAAAQg/f8bRx_VU7Ck/s1600-h/DSC_0016.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 268px;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SRIZHKZRrUI/AAAAAAAAAQg/f8bRx_VU7Ck/s400/DSC_0016.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5265298525189680450" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;00000000,-10&lt;br /&gt;10 – 27 EKiM 2008&lt;br /&gt;KARMA SERGi&lt;br /&gt;&lt;br /&gt;Alt ve üst kültür arasında kalan geniş arazide top koşturmayı alışkanlık edinen Kurye Video Organizasyonu ve Tiptak.com uzun süredir internet üzerinde Webxibition adında sergiler düzenliyorlardı. Birlikte ilk dış alan sergilerini farklı disiplinlere ve disiplinsizliklere açık sanatsal üretim mekanı Daralan’da 10-27 Ekim 2008 tarihleri arasında, görsel işitsel yaratım platformu Maker Arts’in destegiyle gerçekleştiriyorlar. &lt;br /&gt;Sergide Anıl Duran, Candaş Şişman, Deniz Kader, Denizcan Yüzgül, Emre Can Öziş, Erkan Esenoğlu, Lokman Doğmuş, Mert Kızılay, Onur Şentürk, Zeynep Özkazanç ‘ın resim, fotoğraf, enstalasyon, video, animasyon ve müzik gibi görsel ve işitsel yöntemlerle uygulanmış çalışmalarıyla karşılaşacaksınız. &lt;br /&gt;10 Ekim 2008 günü saat 19.00’da yapılacak açılışta Emre Can Öziş, Erdem Göymen ve Cansun Küçüktürk’ten oluşan electroswazladagel ve Mert Kızılay ın elektro-akustik performansına görsellerde Candaş Şişman ve Deniz Kader eşlik edecekler.&lt;br /&gt;&lt;br /&gt;Mekan Bilgileri&lt;br /&gt;Lüleci Hendek Caddesi. Hacı Ali Sokak. No: 12 Kat:2 Galata – İstanbul&lt;br /&gt;Tel: 0 212 292 82 17 // e-mail: daralan@daralan.com.tr&lt;br /&gt;&lt;br /&gt;Daralan Taksim ile Galata’nın kesiştiği Tophane yolu üzerinde eski bir binada faliyet gösteren 180m2’lik bir mekandır. Şu zamana kadar 2007 Aralık ayında “Genişleyen Daralan” ve 2008 Haziran ayında “Uçuş Korkusu” adlı sergilere ev sahipliği yapmıştır. Düzenli olarak da görsel tasarım, heykel, çizim, resim atölyeleri ile arkeoloji ve sanat tarihi seminer programları uygulanmaktadır.&lt;br /&gt;&lt;br /&gt;00000000,-10&lt;br /&gt;OCTOBER 10 – 27, 2008&lt;br /&gt;GROUP EXHIBITION&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kurye Video Organization and Tiptak.com have long been organizing internet exhibitions entitled Webxibition in an effort to challenge the distinction between high and low culture. Their first outside exhibition will take place between October 10-27, 2008 at Daralan, an artistic production space open to different disciplines as well as the lack of them, with the support of audiovisual production platform Maker Arts. &lt;br /&gt;The exhibition will present paintings, photographs, installations, videos, animations and music by Anıl Duran, Candaş Şişman, Deniz Kader, Denizcan Yüzgül, Emre Can Öziş, Erkan Esenoğlu, Lokman Doğmuş, Mert Kızılay, Onur Şentürk and Zeynep Özkazanç. &lt;br /&gt;The opening, which will take place at 19:00 on October 10, 2008 will host the electro-acoustic performances of electroswazladagel, composed of Emre Can Öziş, Erdem Göymen and Cansun Küçüktürk, and Mert Kızılay. The visuals of Candaş Şişman and Deniz Kader will accompany the performances. &lt;br /&gt;Venue&lt;br /&gt;Lüleci Hendek Caddesi. Hacı Ali Sokak. No: 12 Floor:2 Galata – İstanbul&lt;br /&gt;Tel: 0 212 292 82 17 // e-mail: daralan@daralan.com.tr&lt;br /&gt;Daralan is a 180 m2 venue operating in an old building located on the Tophane street right in the middle of Taksim and Galata. Till date, the venue housed two exhibitions: “Genişleyen Daralan / Expanding Daralan” in December 2007 and “Uçuş Korkusu / Fear of Flight” in June 2008. Workshops on visual design, sculpture, drawing and painting as well as seminars on archeology and art history are conducted regularly throughout the year.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-7621671262450615760?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/09/00000000-10-group-exhibition.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODizHbyx0I/AAAAAAAAALo/W0GEuwkRIMM/s72-c/-10.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-6357562602534363100</guid><pubDate>Mon, 29 Sep 2008 13:36:00 +0000</pubDate><atom:updated>2008-09-29T07:11:27.628-07:00</atom:updated><title>Üsküp’te Zincirleme Reaksiyon</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODbPgrQ25I/AAAAAAAAAKw/U6tfUh7keuo/s1600-h/10.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODbPgrQ25I/AAAAAAAAAKw/U6tfUh7keuo/s400/10.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5251438225029913490" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;“Chain Reaction” ( Zincirleme reaksiyon) başlığı altında düzenlenen ve 3. Upgrade Uluslararası toplantısına ev sahipiği yapan Üsküp’te konsept, ülkelerin kurduğu network’ün, işleyişinin, ortaklaşa çalışmanın ve etkileşimin sembolü olarak belirlendi. Upgrade! International oluşumu, yaratıcı bir çalışma olarak başladı ve uluslararası temsilciler arasında büyüyen bir networkde hayat bulan bir iletişim sistemi oldu. Ve her sistem ve siteme katılan her yeni nokta birbirini etkileyerek yoluna devam etti. Şu an sistemine bağlı olan 29 şehrin ( Üsküp, Sao Paulo, Sofya, Zagreb, Oklahama, New York, Salvador,  Seul, Lizbon, Paris, Eindhoven, Vancouver, Tel Aviv, Johennesburg, Berlin, İskoçya, Varşova, Amsterdam, Brüksel/ Gent, Montreal, Chicago, Tijuana, Boston, Münih, İstanbul, Seattle, Wellington, Saray Bosna, Viyana) oluşturduğu tüm katılımcılar bu sene Makedonya’da olumlu bir zincirleme reaksiyona imza attı. Her sene veya iki senede bir devam edecek toplantılar farklı şehirlerden katılan sanatçı ve sanatçı oluşumlarının birleşmesiyle dünyanın herhangi bir Upgrade noktasında bir araya gelecek.&lt;br /&gt;&lt;br /&gt;Bu sene 11-14 Eylül tarihleri arasında düzenlenen Zincirleme Reaksiyon oluşumu 5 noktadan seçilen partnerler tarafından şekillendi (Upgrade! Belgrade, Upgrade! Berlin - Public Art Lab, Upgrade! Sofia – InterSpace, Upgrade! Istanbul – NOMAD ve Upgrade! Skopje - Line Initiative and Movement). 50 uluslararası sanatçı, küratör ve sanat prodüktörü Üsküp’te şimdiki ve gelecekteki projelerini tanıttı ve onları diğer networklerin katılımıyla geliştirdi. Sanatsal programı oldukça zengin ve farklı olan bu organizasyon ulusal areneda yeni medya alanındaki gelişmelere odaklandı.&lt;br /&gt;&lt;br /&gt;Programda toplantı, workshop, panel, sergi, yerleştirme, performans, video gösterimi, müzik ve görsel işitsel performanslar yer aldı. Her sabah 09-12.00 saatleri arasında sadece katılımcılara açık olan toplantılarda Upgrade International üyeleri kendi ülkelerindeki oluşumlarından ve gelecek planlarından bahsetti. İkinci toplantıda Upgrade zincirine yeni katılan Saray Bosna, Zagreb ve Viyana kendilerini tanıttı ve son toplantıda ise gelecek Upgrade toplantısı ve ortak çalışmalar üzerine konuşuldu.  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SODc6cNoe9I/AAAAAAAAAK4/Q_G6mrTZXHw/s1600-h/1.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SODc6cNoe9I/AAAAAAAAAK4/Q_G6mrTZXHw/s400/1.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5251440062077893586" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Upgrade International Sergisi Museum of City Skopje’de gerçekleşti. Marina Abramovic’in “The Bridge” video enstelasyonunun da sergilendiği bu tarihi ve önemli mekan aynı zamanda 1963’te Makedonya’daki büyük depremin anısını yaşatan da bir abide. Deprem de görülen hasardan dolayı üst iki katına çıkılmayan ve içinde büyük rampalarla ilerlediğiniz alanda 20 adet proje sergilendi. Detaylarına http://line.org.mk/exhibition.php ulaşabileceğiniz sergide önde gelen çalışmalardan Detroitli sanatçıların Henrik Ibsen’in “Bebek Evi” adlı eserinden etkilenilerek tasarlanmış interaktif yerleştirme çalışması “Rootoftwo”; webden alınan datalarla realtime olarak sergilenen Fransız RYbN kollektifi videosu Antidatamining; ve Sean Arden’in (Vancouver) televizyon, izleyici, video ve elektrik kavramlarını ön plana çıkardığı Turn me on adlı çok kanallı video çalışması sayılabilir.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SODgOkhjIZI/AAAAAAAAALA/P3bkEpQeCT0/s1600-h/3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SODgOkhjIZI/AAAAAAAAALA/P3bkEpQeCT0/s400/3.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5251443706441179538" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Workshop ve panel detaylarına http://line.org.mk/  adresinden ulaşabileceğiniz seride en ilgi çekici konuşmalardan biri KRIEGSPIEL LAN Party: playing Guy Debord's Game Of War workshop’ı oldu. İsrail doğumlu New York’da çalışan akaedemisyen/ tasarımcı Mushon Zer Aviv’i sunduğu ve tezinin içeriğini de oluşturan çalışma workshop ve tez aşamasındaki sansasyonu anlatan panel ile beraber sunuldu. &lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODg8uTAeBI/AAAAAAAAALI/ApF_26pDtM8/s1600-h/13.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODg8uTAeBI/AAAAAAAAALI/ApF_26pDtM8/s400/13.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5251444499338524690" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Meşhur Marxist filozof Guy Debord’un 1978 yılında tasarladığı Kriegspiel "Game of War" adlı masa oyunu tam 30 sene sonra RSG tarafından online bilgisayar oyunu olarak tasarlandı. Burada önemli olan risk, go gibi bilinen masa oyunlarının ve birçok savaş stratejisine bağlı bilgisayar oyununun öncüsü olan Debord’un çalışmasının unutulmamasını ve bir nostaljinin ayakta kalmasını sağlamak oldu. Bu çalışmanın ikinci önemli etkisi ise akademik camiada kendisini gösterdi. Mushon Zer-Aviv tarafından Upgrade katılımcılarna oynatılan oyunun temeli iletişim merkezine ve bereberliğe yani network’e dayanıyor. Oyunda kurulan iletişim kuleleri en önemli savaş taktiği olarak kurgulanmış, eğer iletişim kulenizin önü kesilirse hiçbir piyonunuzu oynatamıyorsunuz. Ve hiçbir savaşçınız ya da silahınız tek başına saldıramıyor. Saldırı ve defans anlarında tüm atakların matematiksel hesapları size gösteriliyor siz saldırı yapabilmek için karşı atağın gücünü sayısal olarak geçemek zorunda kalıyorsunuz. Bu çalışmanın arkasındaki ekip ise Alexander R. Galloway, prodüksiyon ve programlama; Carolyn Kane, araştırma; Adam Parrish, programlama; Daniel Perlin, ses; DJ /rupture ve Matt Shadetek, müzik; ve Mushon Zer-Aviv (Shual.com), dizayn. Detaylı bilgi ve oyunu indiemek için http://r-s-g.org/kriegspiel/ adresine girebilirsiniz. &lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SODhVohpFpI/AAAAAAAAALQ/6mgYXO8Kn7M/s1600-h/5.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SODhVohpFpI/AAAAAAAAALQ/6mgYXO8Kn7M/s400/5.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5251444927286023826" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Upgrade İstanbul&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Upgrade International noktalarından en kalabalık katılımı gösteren Türk ekibi oldu. Organizasyona, video gösterimi programını düzenleyen Başak Şenova, Erhan Muratoğlu, Emre Erkal’dan oluşan NOMAD; Kadir Has Üniversitesi ve Makedonya Avrupa Üniversitesi ortak projesi Tag Away’i temsilen projeye emek veren Can Küngör ve Umut Siliman katıldı.  Ben de video programında seçilen küratörlerden biri olarak Kurye Video Organizasyonu arşivini temsilen onlarla beraberdim. Tüm Upgrade network’ünden seçilen küratörlerin Nomad’a gönderdiği videolardan derlenen sanatçıların işleri gösterildi. Ağırlıklı olarak animasyon videolarından oluşan programda 6 tane gösterim gerçekleşti: Hikayeler, Mekanlar, İzler Reaksiyonlar, Aksiyonlar ve Protokoller. 15 farklı upgrade noktasından 15 küratörün desteklediği gösterime ayrıca Upgrade noktalarından olmayan Cape Town ve Tahran’dan iki küratör ve birçok video katıldı. Bu durum Upgrade alanının genişlemesi yolunda oldukça önemli bir adım oldu. &lt;br /&gt;&lt;br /&gt;Türkiye’den Kurye Video Organizasyonu’na dahil sanatçılardan Mert Kızılay, Deniz Kader, Candaş Şişman, Denizcan Yüzgül, Dilara Kurtoğlu’nun ve Kadir Has Üniversitesi öğrencisi ve Nomad arşivinden Başak Kaptan ve Efe Hızır’ın videoları gösterildi. Animasyon ve deneysel video alanında Türk genç sanatçıların ne kadar başarılı, gelişmiş ve farklı olduğunu görmek hepimizi sevindirdi. Oturduğum yerden defalarca seyrettiğim bu sanatçıların videolarını sanki ilk kez seyrediyor gibi hissedip, aptal bir gülümsemeyle izleyenleri seyrederek onlar adına heyecan duydum diyebilirim. Hepside çok beğenildi gösterim sonrası gelip sanatçıları soranlar oldu. Ayrıca video ile ilgilenen biri olarak İsrailli sanatçıların animasyonlarını seyretmenin ne kadar keyifli olduğunu anlatamam. İlgililerin araştırmasını tavsiye ederim. En bağendiğim videolardan birkaç örnek ise Brandon Blommaert’in “Greycon 4”, Dana Darvish’in “The God’s Sorrow”, Cyrstalbeard Collective Works’ün “Waiting for Midi Interface” ve “Acid Brain”, Ariel Belinco ve Michael Faust’un “Beton” ve Sigalit Lipschitz’in “Jerusalem of Steel” . Tüm küratörlerin ve sanatçıların; post production ve grafikleri düzenleyen Can Küngör’ün ve tabii ki bu programı oluşturan Başak Şenova ve Nomad’a emekleri için teşekkürler. Detaylar için: http://line.org.mk/screening_program%20.php&lt;br /&gt;http://nomad-tv.net/upgrade/screenings08/&lt;br /&gt;adreslerine bakabilirsiniz.&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SODhxDTvXUI/AAAAAAAAALY/cNAy3DnnDik/s1600-h/7.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SODhxDTvXUI/AAAAAAAAALY/cNAy3DnnDik/s400/7.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5251445398331940162" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SODh9912SpI/AAAAAAAAALg/Rle-mTvr-tw/s1600-h/11.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_KSGB9RuX7DQ/SODh9912SpI/AAAAAAAAALg/Rle-mTvr-tw/s400/11.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5251445620202687122" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Bir diğer önemli çalışma ise Kadir Has Üniversitesi ve Makedonya Avrupa Üniversitesi ortak projesi Tag Away: Cognitive Mapping of Skopje via Graffiti çalışması oldu. İki üniversitenin öğrencileri tarafından gerçekleşen projede Üsküp’te 6 alan seçildi ve online bir Üsküp Haritası yaratıldı. Avrupa Üniversitesi’nden Maja Piponska, Dejan Spirt Dzolev; Kadir Has Üniversite’si İletişim Tasrımı bölümü öğrencileri Can Küngör ve Umut Siliman’ın hayata geçirdiği projeyi Avrupa Üniversite’si öğretim görevlisi Assist. Prof. Gordana Vrencoska ve Kadir Has öğretim görevlisi Assist. Prof. Başak Şenova koordine etti. Türk sanatçı Cren Oykut ve Makedon sanatçı Ruzika Trpkovska a.k.a Ruki çizimleriyle renklendirdi. Bu kalabalık türk grubu şehrin heryerine Tagaway stickerları yapıştırdı. &lt;br /&gt;&lt;br /&gt;Ayrıntılı bilgi için: http://nomad-tv.net/tagaway&lt;br /&gt;&lt;br /&gt;Dördüncüsü Sao Paulo’da gerçekleşmesi planlanan Upgrade International toplantısı herkes için oldukça güzel bir deneyim oldu. Tüm katılımcılar ülkelerine Üsküp’te karar aldıkları ortak çalışma projeleriyle döndü. O zamana kadar Upgrade Istanbul Nomad’ın gerçekleştirdiği paneller ve gösterimlerle devam edecek. Üsküp’teki video gösterimini ise Haziran ayında Aksanat’ta gerçekleşecek Kurye Uluslararası Video Festivali kapsamında izleyebilirsiniz. &lt;br /&gt;&lt;br /&gt;Yazı: Irmak Arkman&lt;br /&gt;Fotoğraflar: Can Küngör&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-6357562602534363100?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/09/skpte-zincirleme-reaksiyon.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KSGB9RuX7DQ/SODbPgrQ25I/AAAAAAAAAKw/U6tfUh7keuo/s72-c/10.JPG' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-1640523332168563043</guid><pubDate>Tue, 09 Sep 2008 18:12:00 +0000</pubDate><atom:updated>2008-09-09T11:25:15.090-07:00</atom:updated><title>Kurye Video Screening@3rd Upgrade Meeting, Skopje</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SMa9vL7-ccI/AAAAAAAAAJs/KR5I4voJ6jw/s1600-h/upgrade.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SMa9vL7-ccI/AAAAAAAAAJs/KR5I4voJ6jw/s400/upgrade.gif" border="0" alt=""id="BLOGGER_PHOTO_ID_5244087434475368898" /&gt;&lt;/a&gt;&lt;br /&gt;11 - 14 September 2008, Skopje&lt;br /&gt;&lt;br /&gt;The meeting theme "Chain Reaction" illustrates the network itself, the way it works and functions, correlates and interacts. The Upgrade!International started as a creative spark that gradually grew into an international group of nodes influencing each other continually through permanent communication. The meeting gathers Upgrade! nodes into one core event in Macedonia and will hopefully cause a positive chain reaction. Upgrade! network gathers annually or bi-annually, each time in a different city for a festival by artists who participated in the Upgrade! meetings around the world.&lt;br /&gt;&lt;br /&gt;"Chain reaction" was initiated by 5 partner nodes (Upgrade! Belgrade, Upgrade! Berlin - Public Art Lab, Upgrade! Sofia – InterSpace, Upgrade! Istanbul – NOMAD and Upgrade! Skopje - Line Initiative and Movement) that are responsible for the main coordination and communication of the project with other nodes from the network.&lt;br /&gt;&lt;br /&gt;The outcome of the meeting is a 4 day festival with various activities that are created by common effort of the Upgrade! International nodes. On this occasion 50 international artists, curators, and arts producers will gather in Skopje to meet, present art projects and further develop the network. The artistic program of this project is rich, diverse and presents the latest developments of the new media scene on international level.&lt;br /&gt;&lt;br /&gt;The artistic program comprises 6 parts:&lt;br /&gt;&lt;br /&gt;+ Exhibition&lt;br /&gt;&lt;br /&gt;+ Public interventions&lt;br /&gt;&lt;br /&gt;+ Live a/v performances&lt;br /&gt;&lt;br /&gt;+ Performances&lt;br /&gt;&lt;br /&gt;+ Screening program&lt;br /&gt;&lt;br /&gt;+ Lectures&lt;br /&gt;&lt;br /&gt;+ Workshops&lt;br /&gt;&lt;br /&gt;These events will take place in different cultural spaces in the city centre. The vibrancy created by having the event happening throughout the city also serves to increase the opportunity for dialogue and place-making, letting the city and its people become part of the festival.&lt;br /&gt;&lt;br /&gt;One major aim of the Upgrade! International 2008 meeting is to establish new forms of cultural exchange among the neighbouring countries in the Balkans. The partner nodes in the Balkans are working to show that culture continues to be a powerful force for regional cooperation. The nodes have already hosted smaller exchanges amongst themselves and have worked in a peer-to-peer mentorship capacity to help start and support new nodes in the area. This cooperation has allowed the organizers and local participants to foster a sense of confidence and unique identity amongst new media practitioners internationally. Due to our limited opportunities for mobility and cultural activism on a European and international level, the meeting in Skopje will be of great importance for the region. It's an outstanding opportunity for many of the local cultural operators, artists, and curators to increase their knowledge and experiences and to share their expertise with others. Hosting the international meeting in Skopje in partnership with neighbouring nodes is a step forward towards creating ongoing cultural linkages in the Balkans.&lt;br /&gt;The project is supported by&lt;br /&gt;&lt;br /&gt;Upgrade! is an international, emerging network of autonomous nodes united by art, technology, and a commitment to bridging cultural divides. Its decentralized, non-hierarchical structure ensures that Upgrade! (i) operates according to local interests and their available resources; and (ii) reflects current creative engagement with cutting edge technologies. While individual nodes present new media projects, engage in informal critique, and foster dialogue and collaboration between individual artists, Upgrade! International functions as an online, global network that gathers annually in different cities to meet one another, showcase local art, and work on the agenda for the following year.&lt;br /&gt;&lt;br /&gt;Upgrade! Background: Since April 1999, a group of new media artists and curators have gathered in New York City. The first meeting took place at a bar in the east village with Tim Whidden &amp; Mark River [MTAA], Mark Napier and founder, media artist Yael Kanarek.&lt;br /&gt;&lt;br /&gt;Upgrade! New York partnered with Eyebeam in March 2000.&lt;br /&gt;The first and the second Upgrade! International gatherings have taken place in the United States in 2005th and 2006th. After this experience, some members of the network expressed their wish to get familiar with other countries, artistic contexts and realities of Upgrade! members.&lt;br /&gt;Upgrade! Skopje hosted by Line initiative and movement, received the network’s support to organize and host the 3rd international gathering in Skopje, Macedonia, between 11th and 14th September 2008.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Screening Program&lt;/span&gt;&lt;br /&gt;curated by Basak Senova&lt;br /&gt;produced by NOMAD / Upgrade!Istanbul.&lt;br /&gt;post production, title, and graphics by Can Küngör, NOMAD&lt;br /&gt;participating curators&lt;br /&gt;Cezanne Charles - v1b3.com, Elena Veljanovska, Horst Konietzny, Irena Gordon, &lt;span style="font-weight:bold;"&gt;Irmak Arkman,&lt;/span&gt; Kate Armstrong, Luis Silva, Marika Dermineur. Paul Hertz, Roch Forowicz, sala-manca, Sean Arden, Yoav Raban&lt;br /&gt;guest curators&lt;br /&gt;Gabi Ngcobo, Negar Tahsili&lt;br /&gt;&lt;br /&gt;By processing the 3rd Upgrade! International meeting theme "Chain Reaction", the screening program has a special focus on the production modes of the Upgrade! network. Curators and artists from all over the network were invited to introduce topics and forms of production, most predominantly, animation. Subsequently, the selected works demonstrate a variety of interests, fields of research, methodologies, diverse ideologies and politics that the Upgrade! network inhabits. Additionally, two guest curators, Gabi Ngcobo from Cape Town and Negar Tahsili from Tehran contributed to the screening program with the intent to expand the geographic boundaries of the network.&lt;br /&gt;&lt;br /&gt;The program consists of 6 sessions: Stories, Places, Traces, Reactions, Actions, and Protocols. Each session brings together similar experiences and parallel stories, critical and significant cases as well as mundane realities of life.&lt;br /&gt;&lt;br /&gt;http://nomad-tv.net/upgrade/screenings08&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;list in alphabetic order:&lt;/span&gt;&lt;br /&gt;stories&lt;br /&gt;Brandon Blommaert, Greycon4”, 2007, 6’36’’&lt;br /&gt;Dana Darvish, "The Gods' Sorrow", 2002, 7’50’’&lt;br /&gt;Debra Tolchinsky, "Going Up", 2005, 1’57’’&lt;br /&gt;Dorijan Kolundzija, "1576124", 2005, 1’30’’&lt;br /&gt;Francisco Queiros, "Down on the Ground", 2001, 1’&lt;br /&gt;Ivan Ivanovski, “Wet dream”, 2007, 1’14’’&lt;br /&gt;Ricardo Werdesheim, "Celestina", 2006, 4’20’’&lt;br /&gt;Sam Scott, “The Merry Sea-Gentleman &amp; Cod Fisher’s Voyage Below”, 2006, 6’25’’&lt;br /&gt;Yoav Raban, "Mamila", 2008 2’25’’, 212&lt;br /&gt;Total Screening Time: 35’&lt;br /&gt;&lt;br /&gt;places&lt;br /&gt;Aaron Paul Brakke, "You are beautiful", 2005, 1’10’’&lt;br /&gt;Blyth Meier, “Walking (Christo and Jeanne-Claude)”, 2005, 2’5’’&lt;br /&gt;Conrad Gleber and Gail Rubini, “Made Ya” 2005, 10’’&lt;br /&gt;Khosro Khosravi, "Construction of Castle of Khawarnaq", 2007, 5’10’’&lt;br /&gt;Rozita Sharaf Jahan, "Fire lather", 2006, 7’20’’&lt;br /&gt;Sladzana Bogeska, “Dawn Conversation”, 2008, 6’41’’&lt;br /&gt;Total Screening Time: 25’&lt;br /&gt;&lt;br /&gt;traces&lt;br /&gt;  &lt;br /&gt;Andy Nick, ”iloveDeer”, 2005, 2’33’’&lt;br /&gt;Barry Doupe, "A Boy On A Dock Blowing His Nose" (Excerpt)”, 2004, 3’30’’&lt;br /&gt;Basak Kaptan, "Terrace", 2008, 1’18’’ Ben Jacques, “Ben 0207”, 2007, 1’&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Candas Sisman, "Bilinçalti" (Subconscious) 2007, 1’40’’&lt;/span&gt;&lt;br /&gt;Crystalbeard Collective Works (Ben Jacques &amp; Stu Hughes), “Waiting for Midi Interface”, 2007, 1’43’’&lt;br /&gt;Crystalbeard Collective Works (Ben Jacques &amp; Stu Hughes), "Acid Brain", 2007, 1’&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Denizcan Yüzgül, "Aquarium", 2007 5’15’&lt;/span&gt;’ Hamed Sahihi, "Red Door", 2005, 4’&lt;br /&gt;Jody Kramer, “Pinch” 2006, 4’24’’&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Mert Kizilay, "Kapalı" (Closed), 2007, 3’47’’&lt;/span&gt;&lt;br /&gt;Ricky Lee Owens, “The More”, 2007, 1’49’’&lt;br /&gt;Thando Mama "1994-next movement", 2006, 2’20’’&lt;br /&gt;Total Screening Time: 37’&lt;br /&gt;&lt;br /&gt;reactions&lt;br /&gt; &lt;br /&gt;Ariel Belinco and Michael Faust, "Beton", 2006, 6’&lt;br /&gt;Avi Ofer, "Sandbox", 2006, 3’26’’&lt;br /&gt;Avraham Eilat "Psychophysical Time", 2006, 5’50’’&lt;br /&gt;Erik Olofsen, "In Places", 2005, 2’4’’&lt;br /&gt;Erfan Abdi, "Along with the gunpowder smell", 2007, 5’33’’&lt;br /&gt;Negar Tahsili, "Of one essence…", 2005, 2’40’’&lt;br /&gt;Sigalit Lipschitz, "Jerusalem of Steel", 2005, 5’&lt;br /&gt;Carlo Crovato, "Pop the Grape", 2005, 7’25’’&lt;br /&gt;Total Screening Time: 40’&lt;br /&gt;&lt;br /&gt;actions&lt;br /&gt;Annette Barbier, "Stages", 2007, 1’45’’&lt;br /&gt;Behnam Kamrani, "Shadow", 2007, 5’&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Deniz Kader &amp; Candas Sisman, "Yüzey" (Surface) 2007, 2’29’’&lt;/span&gt;&lt;br /&gt;Dorijan Kolundzija, “for B.”, 2005, 1’&lt;br /&gt;Eric Deis, “Apartment”, 2004, 1’49’’&lt;br /&gt;Francisco Queiros, "The Endurance" , 2006, 2’30’’&lt;br /&gt;Jamie O’Neil &amp; Kurt Weibers, "Wipersync", 2004, 3’50’’&lt;br /&gt;Judith Egger, "Biottopie", 2005, 5’20’’&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Mert Kizilay, "Yar" (Lover), 2007, 5’57’’&lt;/span&gt;&lt;br /&gt;Robert Hamilton, “Winona”, 2008, 5’50’’&lt;br /&gt;Stefan Gruber "Light Weight", 2002, 1’&lt;br /&gt;Vladimir Lukash, “Mladata Kompirolupacka”, 2008, 1’58’’&lt;br /&gt;Total Screening Time: 42’&lt;br /&gt;&lt;br /&gt;protocols&lt;br /&gt;Annette Barbier, "Homeland Security Advice", 2005 , 1’30’’&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Dilara Kurtoğlu, "Stimulation" 2007, 2’10’’&lt;/span&gt;&lt;br /&gt;Efe Hizir, "Bidi", 2008, 1’&lt;br /&gt;Erhan Muratoglu, "Stay/Put", 2004, 1’&lt;br /&gt;Kryzysztof Zwirblis, "Cheap - TV" (Tania Telewizja) 2005, 17’30’’&lt;br /&gt;Matthieu Clainchard, "Back in blue/Evelyne" 2003, 3’40’’&lt;br /&gt;Maura Jasper, "Weather you remember", 2007, 2’&lt;br /&gt;Sara Schnadt , "Taking Off", 2007, 1’8’’&lt;br /&gt;Total Screening Time: 40’&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-1640523332168563043?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/09/kurye-video-screening3rd-upgrade.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KSGB9RuX7DQ/SMa9vL7-ccI/AAAAAAAAAJs/KR5I4voJ6jw/s72-c/upgrade.gif' height='72' width='72'/></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-2663839813077108877</guid><pubDate>Tue, 02 Sep 2008 03:03:00 +0000</pubDate><atom:updated>2008-09-01T20:13:56.862-07:00</atom:updated><title>Kurye Video Org. Partneri BoSS'a son çağrı!!/ Last Call for our partner BoSS</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SLyvZUqzxII/AAAAAAAAAIs/QHyAIPTQn40/s1600-h/boss_logo.php"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/SLyvZUqzxII/AAAAAAAAAIs/QHyAIPTQn40/s400/boss_logo.php" border="0" alt=""id="BLOGGER_PHOTO_ID_5241256915932267650" /&gt;&lt;/a&gt;&lt;br /&gt;Bu sene dördüncüsü düzenlenecek Betting on Shorts Film Yarışması'nın katılım koşulları aşağıdadır. Birçok ülkede eşzamanlı olarak gösterilecek ve birincinin seçileceği bu etkinliğin Türkiye Partnerliğini Nomad ve Kurye Video Organization üstlenmektedir. Detaylı bilgi ve katılım koşullarını aşağıda bulabilirsiniz. Kadir Has Üniversitesi'nde düzenlenecek gösterim ve filmlerle alakalı bilgiyi blogtan takip edebilirsiniz. &lt;br /&gt;&lt;br /&gt;scroll down for english&lt;br /&gt;&lt;br /&gt;Ne zaman?&lt;br /&gt;21 Kasım 2008&lt;br /&gt;&lt;br /&gt;Nerede? &lt;br /&gt;&lt;br /&gt;Eşzamanlı olarak,&lt;br /&gt;Atina (Yunanistan), Barselona (Spain), Maribor (Slovenya), Munich (Almanya), Napoli (İtalya), Istanbul (Türkiye), Londra (İngiltere), Paris (Fransa), Poznan (Polonya), Wiesbaden (Almanya)’da gösterilecektir.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;Yapıtların gönderilmesi için son gün&lt;br /&gt;1 Eylül 2008&lt;br /&gt;&lt;br /&gt;Ödüller&lt;br /&gt;Özel Avrupa Jürisi Ödülü&lt;br /&gt;Çeşitli Yerel Jüri Ödülleri&lt;br /&gt;Londra Ödül Jürisi; ICA, Tate Modern, Londra Kısa Film Festivali, BFI ve LUX film küratörlerinden kuruludur. Katılan şehirlerin Ödüllendirme Jürileri daha sonra açıklanacaktır.&lt;br /&gt;http://www.bettingonshorts.com&lt;br /&gt;&lt;br /&gt;Tema:&lt;br /&gt;Para, Para, Para&lt;br /&gt;&lt;br /&gt;“Jones’larla aşık atmaya çalışmayın. Bizden daha çok paraları var.” (Dizzy Gillespie)&lt;br /&gt;&lt;br /&gt;Dünyanın dört bir yanından film yapımcılarını “Para, Para, Para” konulu 10 dakikayı aşmayacak uzunlukta kısa filmler (animasyonlar, müzik videoları, sanatçı filmleri, konulu filmler, belgeseller, vs.) göndermeye çağırıyoruz. Fakirleri düşünün ve kokuşmuş zenginleri, pintileri ve yardımseverleri. Bir milyonunuz olsa neler yapabileceğinizi düşünün ama bazı insanların tek kuruşları olmadan neler yapabileceğini de unutmayın. Kapitalizmi, komünizmi ya da küreselleşmeyi inceleyebilirsiniz. Eğer canınız isterse, bir varil petrolün kaç para olduğuna bakın. Eğer paranın size sevgi satın alabileceğini düşünüyorsanız, bu konuda bir film yapın. Peki ya pazarlık, kumar ya da alışveriş terapisi? Jones’larla aşık atmaya çalışmayın; daha iyisini yapın ve bize çekebileceğiniz en iyi filmi gönderin!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Başvuru Prosedürü&lt;br /&gt;Başvuru formu, istenen bilgilerle birlikte, filmin bir DVD önizleme kopyası, 15 Ağustos tarihine kadar ICA’de olmalı. Önizleme için sadece DVD kopya kabul edilir. Filmin orijinal dili İngilizce değilse, önizleme kopyası altyazılı olmalıdır.&lt;br /&gt;&lt;br /&gt;Eleme ve Duyuru&lt;br /&gt;Eylül Sonuna kadar çalışmaları SADECE seçilen sanatçılara haber verilecektir.&lt;br /&gt;&lt;br /&gt;Filminizin önizleme kopyasını lütfen şu adrese yollayınız:&lt;br /&gt;Betting on Shorts – The London Consortium – ICA 12 Carlton House Terrace – London SW1Y 5AH – U.K.&lt;br /&gt;&lt;br /&gt;Gönderme Masrafları&lt;br /&gt;Katılımcılar, önizleme kopyasının, seçildiği takdirde de gösterim kopyasının gönderme masraflarını üstleneceklerdir. Düzenleme komitesi, gösterimin bir hafta ardından gösterim kop-yasının geri gönderme masrafını üstlenir. Önizleme kopyası, sadece, katılımcının adresli ve pullu zarf göndermesi halinde yollanır. &lt;br /&gt;&lt;br /&gt;Detaylı Bilgi için:&lt;br /&gt;bettingonshorts.com&lt;br /&gt;&lt;br /&gt;When? 21 November 2008&lt;br /&gt;&lt;br /&gt;Where? Simultaneously in Athens, Barcelona, Maribor, Munich, Naples, Istanbul, London, Paris, Poznan, Wiesbaden and several other cities in Europe and beyond&lt;br /&gt;&lt;br /&gt;Deadline for Submissions: 01/09/2008&lt;br /&gt;&lt;br /&gt;Awards: Special European Jury Prize&lt;br /&gt;Various Local Jury Prizes&lt;br /&gt;The London Prize Jury includes film curators from the ICA, Tate Modern, London Shortfilm Festival, BFI and LUX. Local Prize Juries in participating cities to be announced.&lt;br /&gt;The Theme: Money Money Money&lt;br /&gt;&lt;br /&gt;“Don’t try to keep up with the Joneses. They have more money than we.”&lt;br /&gt;Dizzy Gillespie&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;We would like to invite filmmakers from around the world to submit short films (animation, music video, artist films, narrative, documentary etc.) up to 10 minutes on the theme “Money Money Money”. Think about the poor and the stinking rich, the stingy and the philanthropists. Think about what you could do with a million, but don’t forget what some people can do without a penny. You could explore capitalism, communism or globalisation. If you feel like it check out the price for a barrel of oil. If you think money can buy you love, then make a film about that. And what about haggling, gambling and shopping therapy? Don’t try to keep up with the Joneses but do better than them and send us the best film you can make!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;What makes this contest different from any other short film contest is that the audience will be able to bet on which film will be the winner – however, bets must be placed before the screening. Trailers of the films chosen for BoSs 2008 will be streamed on our website and in the participating venues a week before the screening. In addition all contestants will be asked to write a short but informative blurb about their film and give some background information about themselves. This information, together with a still from the film will be available to the audience ca. 2 hours before the screening, when they will also be asked to place their bets&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Entry Procedure: The entry form with all required information accompanied by a DVD-preview copy should reach us by 01.09.2008. For preview only DVD copies will be accepted. If the original language of the film is not English, the preview copy should be subtitled.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Please note that we can only accept one film per director.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Selection and Notification: As we expect to receive several hundred submissions we regret that we can only write to the selected filmmakers. If you have not heard from us by end of September 2008 please assume that you have not been successful this time.&lt;br /&gt;Dispatch Costs: The applicant is responsible for the costs of sending the preview copy and, should the film be selected, also the screening copy. Preview copies can only be returned if the applicant provides a self-addressed and stamped envelope.&lt;br /&gt;&lt;br /&gt;Entry forms must be submitted electronically here and must also be printed out and sent with the preview copy.&lt;br /&gt;&lt;br /&gt;Please send your preview copy to:&lt;br /&gt;“Betting on Shorts” – London Consortium – Institute of Contemporary Arts&lt;br /&gt;Address: 12 Carlton House Terrace – London SW1Y 5AH – U.K.&lt;br /&gt;&lt;br /&gt;For further information: bettingonshorts.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-2663839813077108877?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/09/kurye-video-org-partneri-bossa-son-ar.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KSGB9RuX7DQ/SLyvZUqzxII/AAAAAAAAAIs/QHyAIPTQn40/s72-c/boss_logo.php' height='72' width='72'/></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-8466337832188477660</guid><pubDate>Sat, 21 Jun 2008 13:33:00 +0000</pubDate><atom:updated>2008-06-21T06:36:40.373-07:00</atom:updated><title>TiPTAK.com ve KURYE ViDEO ORGANiZASYON iŞBiRLiĞiNDE ALMAN SANATÇI ‘SWANN SCHILLING’</title><description>&lt;a href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SF0Djh0AGDI/AAAAAAAAAH8/9kMXsxU-GmE/s1600-h/webxibit.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SF0Djh0AGDI/AAAAAAAAAH8/9kMXsxU-GmE/s400/webxibit.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5214327852471687218" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SF0DjgFDeSI/AAAAAAAAAIE/1pmQ4AeYXjM/s1600-h/set0137.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_KSGB9RuX7DQ/SF0DjgFDeSI/AAAAAAAAAIE/1pmQ4AeYXjM/s400/set0137.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5214327852006340898" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SF0Dj5xLbUI/AAAAAAAAAIM/6SjDP3wD8T8/s1600-h/Fleischerei0163.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/SF0Dj5xLbUI/AAAAAAAAAIM/6SjDP3wD8T8/s400/Fleischerei0163.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5214327858902297922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;TiPTAK.com ve KURYE ViDEO ORGANiZASYON iŞBiRLiĞiNDE&lt;br /&gt;ALMAN SANATÇI ‘SWANN SCHILLING’&lt;br /&gt;SOLO ViDEO SERGiSİ&lt;br /&gt;23 Haziran – 7 Temmuz arası Tiptak.com giriş sayfasında!&lt;br /&gt;www.tiptak.com&lt;br /&gt;Cyberpunk dünyasının Alman video kurgucularından ‘Swann Schilling’ Solo Sergisi Webxibition SeriNo: 102 kapsamında 23 Haziran’dan itibaren Tiptak.com giriş sayfasında 7 Temmuz’a kadar gösterimde olacak. &lt;br /&gt;&lt;br /&gt;Tiptak.com sanat tüketicileri ve üreticilerini biraraya getiriyor. Kullanıcılarının dijital sanatlar, grafik tasarım, video, fotoğraf, yazı ve müziklerini birbirleriyle paylaşması için tasarlanıyor. İçeriği Tiptak.com’u sanatsal disiplinlerin buluştuğu bir platform olma yolunda sürüklüyor. Tiptak.com ve Kurye Video Organizasyonu 2. video art sergisini yapıyor! Çağın bu etkili sanat disiplinini yine çağın etkili kullanım alanı internet üzerinden sergiliyor!&lt;br /&gt;&lt;br /&gt;Bu bağlamda internet üzerinden sergi manasında kurguladığımız WEBXiBiTiON çalışmalarını sürdürmeye devam ediyoruz. WEBXiBiTiON SeriNo: 102 ‘Swann Schilling’ Solo Sergisi 23 Haziran – 7 Temmuz arasında Tiptak.com giriş sayfasında yer alacak. Serginin içeriği ve kavramsal çerçevesini, sanatçı hakkında bilgiyi aşağıda bulacaksınız.&lt;br /&gt;WEBXiBiTiON SeriNo: 102 ‘Swann Schilling’ Solo Sergisi&lt;br /&gt;Toplumun içinde olmak onlarla yaşamak anlamına gelmiyor. Bremen’de yaşayan, video oyunları yapan, vaktinin büyük bölümünü de kendi old school punk grubuna ve video çalışmalarına ayıran Swann Schilling de kenardan toplumu izleyen yabancılardan. Kendi içinde yaşadığı dünyasını direk olarak kimseyle paylaşmıyor. İnsanda korku ve cesareti aynı anda tutan karartı Swann için kendiyle başbaşa geçirdiği zamanları anlatıyor. Toplumla kurmak istediği tek bağ ise görüntülerinde saklı. Kendi yaşamını görüntüleriyle aksettiriyor. Video çalışmalarında eksik bedenleri görülmeyecek rüyalarda oynatıyor. Bilindik mekanları kendi dünyasında düşlediği gibi kirletiyor. Swann’ın videoya ve topluma olan ilgisi de kendi sözlerinde yatıyor.&lt;br /&gt;"İşlerim çocukluğumda yaşadığım şeylerle bağlantılı; televizyon seyretmeme ve video oyunları oynamama izin vermeyen ebeveynlerle büyüdüm. Bu nedenle sonraki hayatım da tam da bunları yaptım - hem de abartılı olarak. Şimdi ebeveynlerimin her ikisi de yatağa bağımlı ve onlara bakmam gerekiyor; yaptığım işleri sürekli büyük plazma ekranda onlara gösteriyorum ve bir hayli hoşlarına gidiyor gibi görünüyor. Bu benim için çok tatmin edici: sonunda onları ikna ettim. İçine kapalı bir hayat yaşıyorum ve basından hoşlanmıyorum; kliplerim benim ve ebeveynlerimin adına konuşuyor. Zaten görüntüler sözlerden daha kuvvetlidir."&lt;br /&gt;Cyberpunk dünyasının karanlık gelecek kurgusunu Kurye Video Organizasyonu’n desteğiyle Tiptak.com giriş sayfasından 23 Haziran’dan itibaren izleyebilirsiniz. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;WITH THE COOPERATION OF TiPTAK.com AND KURYE VIDEO ORGANIZATION &lt;br /&gt;SOLO VIDEO EXHIBITION&lt;br /&gt;BY GERMAN ARTIST “SWANN SCHILLING”&lt;br /&gt;June 23 –July 7  Tiptak.com Opening Page!&lt;br /&gt;www.tiptak.com&lt;br /&gt; &lt;br /&gt;The Solo Exhibition of the German video artist of the cyberpunk world, Swann Schilling” will be online starting from June 23rd at the opening page of Tiptak.com in the context of Webxibition Series: 102. &lt;br /&gt;Tiptak.com is bringing the producers and consumers of art together. It is designed to enable its users to share works of digital arts, graphic design, video, photography, writing and music online. Its content is driving Tiptak.com into becoming a platform where artistic disciplines meet. Tiptak.com and Kurye Video Organization will realize their second joint video art exhibition! They will exhibit this effective art form of the age in this effective space of the age –the internet!&lt;br /&gt;In this context, we are planning to continue our Webxibition series –meaning exhibitions on the internet. Webxibition Series: 102 “Swann Schilling” Solo Exhibition can be seen at the opening page of Tiptak.com between June 23 and July 07. You can find information about the artist as well as the content and the conceptual framework of the exhibition below.     &lt;br /&gt;WEBXiBiTiON Series: 102 ‘Swann Schilling’ Solo Exhibition&lt;br /&gt;Being a part of the society does not mean living with them. Swann Schilling, who lives in Bremen, designs video games and spends most of his time to his old school punk band and video works, is one of those outsiders who watch the society from a distance. He doesn’t share his internal world directly with anyone. The darkness that holds fear and courage together in man represents for him the times he spends alone with himself. The only connection he wants to form with the society is hidden in his images. He reflects his own life through images. In his works, he features incomplete bodies in dreams that would not be seen. He contaminates familiar spaces in the way he dreams. Swann’s relation to video and to society can be seen in his own words:    &lt;br /&gt;“My work is related to things I experienced during my childhood. I grew up with parents who wouldn’t let me watch TV or play Video games. So later in life I did exactly that excessively. These days my parents are both confined to their beds and I have to take care of them; I show them my work on big plasma screen all the time and they seem to enjoy it a lot. For me this is very satisfying; at last I think I convinced them. I live a very secluded life and do not like the press, but I let my clips speak for me and my parents. Imagess are stronger than words anyways.”  &lt;br /&gt;&lt;br /&gt;You can view the grim dystopia of the cyberpunk world at the opening page of Tiptak.com with the cooperation of Kurye Video Organization from June 23rd onwards.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-8466337832188477660?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/06/tiptakcom-ve-kurye-video-organizasyon.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KSGB9RuX7DQ/SF0Djh0AGDI/AAAAAAAAAH8/9kMXsxU-GmE/s72-c/webxibit.jpg' height='72' width='72'/></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-2992706887483118615</guid><pubDate>Sat, 12 Apr 2008 21:50:00 +0000</pubDate><atom:updated>2008-04-12T14:53:06.321-07:00</atom:updated><title>PIPPA BACCA ANISINA</title><description>BAGIMSIZ SANATCILAR VE SANAT CALISANLARININ BILDIRISI&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ITALYAN SANATCI PIPPA BACCA VE SILVIA MORO, INSAN HAKLARININ KENDILERINE VERDIGI OZGUR IFADE HAKKINI VE DUNYA SANATININ BUGUN GELDIGI ASAMADA KENDISINE VERDIGI GUCU KULLANARAK DUNYANIN VE OZELLIKLE BOLGEMIZIN ICINDE BULUNDUGU SUREKLI SAVAS DURUMUNA KARSI OZEL OLARAK DIKILMIS VE BARISI SIMGELEYEN BEYAZ BIR GELINLIKLE MESAKKATLI BIR YURUYUS GERCEKLESTIRMEK UZERE ITALYA'DAN YOLA CIKTILAR. BALKANLARIN BIRCOK ULKESINE UGRAYARAK MESAJLARINI YOLLARDA INSANLARA ILETTILER VE TURKIYE'YE GIRDILER.&lt;br /&gt;ISTANBUL SANAT ORTAMI ONLARI KARSILADI VE GEREKEN ILGIYI GOSTEREREK ISRAIL'E KADAR SURECEK ZORLU VE RISKLI YOLCULUKLARININ BASLADIGI ANADOLU'YA UGURLADI.&lt;br /&gt;SILVIA MORO BU YOLCULUGU TAMAMLAYARAK ISRAIL'E VARDI; ANCAK PIPPA BACCA BU YOLU TAMAMLAYAMADI.&lt;br /&gt;&lt;br /&gt;BIZ SANAT ORTAMI OLARAK BU OLAYA IKI YONDEN BAKIYORUZ:&lt;br /&gt;&lt;br /&gt;TURKIYE'DE GUNUMUZE OZGU, DUZENI ELESTIREN SANAT EYLEMI YAPMAK BUYUK BIR GEREKLILIKTIR; CUNKU INSANLARIMIZIN ZIHINSEL VE RUHSAL DUNYASI GUNCEL SIYASETE, SIYASETCILERIN KENDI CIKARLARI DOGRULTUSUNDA SURDURDUKLERI KISIR VE KISITLAYICI SOYLEMLERE KILITLENMISTIR. SANAT EYLEMI INSANLARA DUSUNME, YORUMLAMA VE ELESTIRME KAPILARINI ACMAKTADIR. BU BAGLAMDA GUNUMUZE OZGU SANAT URETIMININ VE EYLEMLERININ DEVLET VE YEREL YONETIMLER TARAFINDAN HER YONDEN DESTEKLENMESI GEREKMEKTEDIR. ULKEMIZDE KONUK OLAN SANATCI PIPPA BACCA'NIN OLDURULMESI OLAYININ GUNDEMDE TUTULMASI GEREKMEKTEDIR.&lt;br /&gt;&lt;br /&gt;PIPPA BACCA BIR KADIN SANATCIDIR. VE BIZ BIR GERCEKLE YUZYUZEYIZ. TURKIYE'DE HER GUN KADINLAR ERKEKLER TARAFINDAN OLDURULMEKTEDIR. BU KADINLARI YOK ETME KARARLILIGININ ARKASINDAKI ILKEL ERKEKEGEMEN DUZENIN KARANLIGI ULKENIN UZERINE COKMUSTUR. PIPPA BACCA BU SAPKINLIGIN SON KURBANLARINDAN BIRSIDIR.&lt;br /&gt;&lt;br /&gt;SANAT ORTAMI DERIN BIR UZUNTU VE INFIAL ICINDEDIR. BU OLAYI UNUTTURMAYACAGIZ VE GEREKEN EYLEMLERIMIZI SURDURECEGIZ.&lt;br /&gt;&lt;br /&gt;PIPPA BACCA'NIN AILESINE BASSAGLIGI DILIYORUZ. ULUSLAR ARASI SANAT ORTAMINDAN PIPPA'YI KORUYAMADIGIMIZ ICIN OZUR DILIYORUZ.&lt;br /&gt;&lt;br /&gt;IMZACILAR:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ULUSLAR ARASI SANAT ELESTIRMENLERI DERNEGI TURKIYE SUBESI&lt;br /&gt;AVRUPA KULTUR DERNEGI&lt;br /&gt;LAMBDAISTANBUL LGBT DAYANISMA DERNEGI&lt;br /&gt;UPSD (ULUSLAR ARASI PLASTIK SANATCILAR DERNEGI)&lt;br /&gt;GALERI NEV&lt;br /&gt;BIS (BEDEN-ISLEMSEL SANATCILAR DERNEGI)&lt;br /&gt;19 OCAK KOLEKTIFI&lt;br /&gt;KADININ INSAN HAKLARI YENI COZUMLER&lt;br /&gt;HAFRIYAT&lt;br /&gt;ARTIK MEKAN&lt;br /&gt;APARTMAN PROJESI&lt;br /&gt;MACKA SANAT GALERISI&lt;br /&gt;KAOS GL&lt;br /&gt;PEMBE HAYAT LGBT DAYANISMA DERNEGI&lt;br /&gt;CATI CAGDAS DANS SANATCILARI DERNEGI&lt;br /&gt;ASK (AVRASYA SANAT KOLEKTIFI)&lt;br /&gt;ITU MEZUNLAR DERNEGI&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-2992706887483118615?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/04/pippa-bacca-anisina.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-2296075747446907949</guid><pubDate>Wed, 26 Mar 2008 10:33:00 +0000</pubDate><atom:updated>2008-03-26T03:36:12.990-07:00</atom:updated><title>Resfest: Kurye Video Organizasyonu Seçkisi</title><description>Kurye Video Organizasyonu Resfest'de&lt;br /&gt; &lt;br /&gt;Bu yıl Doğuş Otomotion İstanbul'da dördüncüsü düzenlenecek Uluslararası RESFEST Dijital Film Festivali, izleyicilerine son dönemlerin en etkileyici kısa filmleri, animasyonları, dinamik müzik videoları ve tasarım filmleri ile yönetmen söyleşileri, bilgilendirici paneller, seminerler ve partilerle dolu, zengin bir program sunacak.&lt;br /&gt;&lt;br /&gt;Festival kapsamında bu yıl video gösterimleri ve bir illüstrasyon galerisinin yer alacağı özel bir "sergi" bölümü açan Resfest bünyesinde Kurye Uluslararası Video Organizasyonu, Medya Alanında gerçekleşecek video sergilemelerine bir seçki ile katılacak. 27 Mart-30 Mart arası gösterilecek seçki, festivalin "Res in Peace" başlığı ve içeriğine uygun olarak; illustrasyon, animasyon, deneysel video ve müzik kliplerine ağırlık verecek.&lt;br /&gt;&lt;br /&gt;28 Mart Cuma günü açılış partisinin de yapılacağı festival mekanına 4. Levent metro durağından kalkan ücretsiz ring seferleriyle gelmek mümkün.&lt;br /&gt;&lt;br /&gt;Festival ile alakalı detaylı bilgi için: www.resfest.com.tr&lt;br /&gt;&lt;br /&gt;Program:&lt;br /&gt;&lt;br /&gt;1. Energie! (Enerji!); Thorsten Fleisch, Almanya, 5:00, 2007 &lt;br /&gt;2. Bug (Böcek); Selfburning, Rusya, 2:40; 2007&lt;br /&gt;3. Gilles Sornette-Marocco; Atıl Altaş aka turboslow, Türkiye, 5:47, 2007&lt;br /&gt;4. Modem; Selfburning, Rusya, 0:43, 2008&lt;br /&gt;5. Mark Franklin-Midnight Tv- Herb Recordings; Atıl Altaş aka turboslow, Türkiye, 4:00, 2007&lt;br /&gt;6. GVP001 Paradox  Muzik: Weird Fields; Atıl Altaş- Serdar Kökçeoğlu, Türkiye, 3:22, 2007&lt;br /&gt;7. Solipsism- Flying-Herb Recordings; Atıl Altaş aka turboslow, Türkiye, 5:53, 2007&lt;br /&gt;8. GVP004 Gloopy Müzik: Komputer Video, Atıl Altaş- Serdar Kökçeoğlu, Türkiye, 3:36, 2008&lt;br /&gt;9. Solipsism- Organicism- Herb Recordings; Atıl Altaş aka turboslow, Türkiye, 6:10, 2007&lt;br /&gt;10. 3kStatic with Robert Bond –Signal Intelligence (Isolation Network (BMI) and Kutno Music (BMI) from dPulse Recordings); Atıl Altaş aka turboslow, Türkiye, 6:12; 2007&lt;br /&gt;11. Komputer-Like A Bird- Mute Records; Atıl Altaş aka turboslow, Türkiye, 4:18, 2007&lt;br /&gt;12. Komputer-Synthetik- Mute Records; Atıl Altaş aka turboslow, Türkiye, 6:39, 2007&lt;br /&gt;13. Dream (Rüya); Selfburning, Rusya, 0:38, 2007&lt;br /&gt;14. Portakal Canavarı; Zeynep Funda Aygüler, Türkiye, 1:16, 2007&lt;br /&gt;15. Stimulation (Stimulasyon); Tuğçe Dilara Kurtoğlu, Türkiye, 2:10, 2007&lt;br /&gt;16. Beraber (Ensemble); Ceren Oykut, Music anabala, Türkiye, 7:27, 2007&lt;br /&gt;17. The Texas Zombi Kowboy 1; Kinki Texas, Almanya, 1:10, 2007&lt;br /&gt;18. The Texas Zombi Kowboy 2; Kinki Texas, Almanya, 0:37, 2007&lt;br /&gt;19. F12 Freedom Club (F12 Özgürlük Klübü); Kinki Texas, Almanya, 0:50, 2007&lt;br /&gt;20. F12 Stop Disco; Kinki Texas, Almanya, 2:51, 2007&lt;br /&gt;21. Untitled (İsimsiz); Swamn, Almanya, 1: 19, 2007&lt;br /&gt;22. Untitled (İsimsiz); Swamn, Almanya, 1:28, 2007&lt;br /&gt;23. Untitled (İsimsiz); Kinki Texas, Almanya, 1:18, 2007&lt;br /&gt;24. Untitled (İsimsiz); Swamn, Almanya, 2:38, 2006&lt;br /&gt;25. Untitled (İsimsiz); Kinki Texas, Almanya, 0:31, 2006&lt;br /&gt;26. Untitled (İsimsiz); Swamn, Almanya, 0:40, 2006&lt;br /&gt;27. Untitled (İsimsiz); Kinki Texas, Almanya, 0: 55, 2006&lt;br /&gt;28. Untitled (İsimsiz); Swamn, Almanya, 0:30, 2007&lt;br /&gt;29. Untitled (İsimsiz); Swamn, Almanya, 0:30, 2006&lt;br /&gt;30. Untitled (İsimsiz); Swamn, Almanya, 1:41, 2006&lt;br /&gt;31. Hitler; Kinki Texas, Almanya, 2:28, 2006&lt;br /&gt;32. Social Ninja, Kinki Texas, Almanya, 1:33, 2006&lt;br /&gt;33. Untitled (İsimsiz); Kinki Texas, Almanya, 5:37, 2006&lt;br /&gt;34. Dream on; Kinki Texas, Almanya, 1:01, 2006&lt;br /&gt;35. Tobi Lange Tanzt; Kinki Texas, Almanya, 0:22, 2007&lt;br /&gt;36. Untitled (İsimsiz); Kinki Texas, Almanya, 3:01, 2006&lt;br /&gt;37. Untitled (İsimsiz); Kinki Texas, Almanya, 2:20, 2007&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-2296075747446907949?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/03/resfest-kurye-video-organizasyonu.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-3898098264562706398</guid><pubDate>Thu, 13 Mar 2008 20:43:00 +0000</pubDate><atom:updated>2008-03-13T13:49:37.419-07:00</atom:updated><title>Tiptak.com, Kurye Video ve Webxibition üçgeninde: Katman Kolektif!</title><description>&lt;a href="http://2.bp.blogspot.com/_KSGB9RuX7DQ/R9mSwTMlJqI/AAAAAAAAAGQ/ijbg_atGPb4/s1600-h/tiptak+gor.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_KSGB9RuX7DQ/R9mSwTMlJqI/AAAAAAAAAGQ/ijbg_atGPb4/s400/tiptak+gor.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5177330605123511970" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Kentin yeni kültürel aktivite sitesi Tiptak.com sanatçıların çalışmalarını giriş sayfasından sergilemeye başlıyor. Kurye Video’dan Irmak Arkman’ın seçkileri doğrultusunda hazırlanacak Webxibition SeriNo:101 “Katman kolektif” 17 – 31 Mart tarihinden itibaren yayında olacak. (((GVP))), Candaş Şişman ve Atıl Altaş’ın (aka turboslow) çalışmalarına yer verilecek sergide bilindik video tekniklerinin deneysel kullanımı ile gündelik yaşantımızın en uçtaki detayları yeniden kurgulanacak.&lt;br /&gt;&lt;br /&gt;Webxibition SeriNo:101 “Katman kolektif”&lt;br /&gt;Katman Kolektif; videonun kendini ses ve görüntü katmanlarıyla sunması üzerine kurgulanmıştır. Alışılmış video tekniklerini araç olarak kullanırken yeni teknolojileri işlerinin konsepti haline dönüştüren üç sanatçı “Katman Kolektif” sergisinde buluşuyor. 20’ye yakın video çalışmasını sergi süreci boyunca www.tiptak.com giriş sayfasından takip edebilirsiniz.&lt;br /&gt;&lt;br /&gt;Sergiye katılacak sanatçılar&lt;br /&gt;Atıl Altaş (aka turboslow): Sinema eğitimi aldıktan sonra üç yıl boyunca Londra'da yaşadı. Hem sinema hem de müzik dünyası ile güçlü bağlar kurdu. Yabancı müzik grupları ve elektronik müzik sanatçıları için video klipler ve görseller hazırlayan sanatçı, Mute Records’a bağlı Komputer'in offical müzik kliplerini hazırlıyor ve Komputer’in performansları için VJ’lik yapıyor. Mute  dışında Herb Recordings bünyesinde yer alan Solipsism, King Bastard, Mark Franklin, Shamanic Technology , SubDub Records’tan Heinrichs&amp;Hirtenfellner, Ingroove/Neo’dan 3kStatic ve bağımsız muzisyenler Gilles Sornette, Absent Without Leave, [Ctrl.Alt.Del] için de müzik videoları üzerine çalışıyor.  &lt;br /&gt;&lt;br /&gt;(((GVP))): Elektronik müzik sanatçıları ile video sanatçılarının işbirliği üzerine kurulan yapısı ile ((GVP)) Video Project, müzik videolarına yakın, kavramsal  bir video projesi. Atıl Altaş ve sinema yazarı/kısa filmci Serdar Kökçeoğlu tarafından kurulan ((GVP)) split screen video klipler  üzerinden kendini tanımlıyor. En az 2 video ve 1 elektronik müzik sanatçısı ile videolar hazırlanıyor. Rastlantı ((GVP)) projesinin anahtar kelimesi denilebilir.Video projesi, video klip ve sanat videosu arasında köprü kurmayı amaçlıyor.  Altaş ve Kökçeoğlu görüntü yaratırken/dönüştürürken aynı zamanda kullanıma elverişli hazır malzemeleri de tercih ediyor. Eski filmler, belgeseller, çizgi filmler, seyahat görüntüleri, amatör çekimler onların fazlasıyla işine yarıyor. Tüm elektronik müzik ve video sanatçılarına açık olan proje ortak audiovisual üretim biçimleri üzerine denemeler yapıyor.&lt;br /&gt;&lt;br /&gt;Candaş Şişman: İllüstrasyon, animasyon gibi grafik ve video sanatlarıyla uzun süredir içiçe çalışan sanatçı çalışmalarını 1999’dan beri yurtiçi ve yurtdışında sergilemeye devam ediyor. Çalışmalarında şehrin makrolarının oluşturduğu armoni ve gündelik yaşamımızdaki ayrıntıların soyutlaşması”nı konu alan Candaş Şişman renk dalgalarıyla seslerin uyumunu da yansıtmaya çalışıyor.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;iLETiŞiM&lt;br /&gt;Tiptak.com (tiptak@tiptak.com) ve Webxibition ( kurye@tiptak.com ) hakkında bilgi almak ya da fikirlerinizi iletmek için ilgili mail adres(ler)ini kullanabilirsiniz.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-3898098264562706398?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/03/tiptakcom-kurye-video-ve-webxibition.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KSGB9RuX7DQ/R9mSwTMlJqI/AAAAAAAAAGQ/ijbg_atGPb4/s72-c/tiptak+gor.jpg' height='72' width='72'/></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-9071853828624332713.post-9068132950561225546</guid><pubDate>Thu, 21 Feb 2008 00:08:00 +0000</pubDate><atom:updated>2008-02-20T16:16:18.194-08:00</atom:updated><title>Kurye Video Org.// Kargart Video Festivali Performanslar ve Özel Gösterimler</title><description>&lt;a href="http://3.bp.blogspot.com/_KSGB9RuX7DQ/R7zCTamXRzI/AAAAAAAAAEo/uBgS0_8CoXo/s1600-h/videofest_flyer+performanslar.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_KSGB9RuX7DQ/R7zCTamXRzI/AAAAAAAAAEo/uBgS0_8CoXo/s400/videofest_flyer+performanslar.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5169220111128020786" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Geçen seneki festivallerden farklı olarak sanatçıların birkaç işi ya da arşivini sergilemeyi amaçlayan festivalde Ozan Adam, Atıl Altaş, ((GVP)), Kinki Texas ve Swamn videoları ilk işlerinden son işlerine kadar mercek altına alınacak. Eksantrik, rafine ve anarşist bir rocker, üç boyutlu animasyonların delisi, müzik videoları yerleştirmelerinin ustadı, Western hayranı Kinki Texas özel gösterimi ile suyu dalgalandırmak istiyor. Kendi çevresinde düzensizlik yaratmak isteyen sanatçının gerçek çizgileri renklerin kullanımında yatıyor. Pastel gölgelerin ve parlak kırmızıları inanılmaz bir şekilde birleştirmesi- ki kırmızı doğada en güçlü aynı zamanda da en az rastlanır renktir, işlerinin en harika özelliklerinden sadece biri. Texas çalışmalarını narin, cafcaflı ve masalsı kılmak için vahşi rodeoları; göz kamaştıran, şiddetli hatta sadomazoşist halüsinasyonları dönüştürüyor.  Swamn Schilling ise videolarını şu sözlerle tanımlıyor: “İşlerim çocukluğumda yaşadığım şeylerle bağlantılı; televizyon seyretmeme ve video oyunları oynamama izin vermeyen ebeveynlerle büyüdüm. Bu nedenle sonraki hayatım da tam da bunları yaptım –hem de abartılı olarak. Şimdi ebeveynlerimin her ikisi de yatağa bağımlı ve onlara bakmam gerekiyor; yaptığım işleri sürekli büyük plazma ekranda onlara gösteriyorum ve bir hayli hoşlarına gidiyor gibi görünüyor. Bu benim için çok tatmin edici: sonunda onları ikna ettim. Kurye Video organizasyonu iftiharla sunar: Ozan Adam Özel Seçkisi. Daha çalışmalarının adından başlayarak film, animasyon ve videolarında tamamen nevi şahsına münhasır bir atmosfer yaratıyor. Sanatında metnin, tasarımın, illüstrasyonun, resmin, heykelin, animasyonun, filmin kuvvetini görmemek imkansız. 16mm’den videoya uzayan çalışmalarıyla dünyaca önem kazanan Adam, Cannes Festivali Kısa Film Bölümü, VIDEOFORMES Film Festivali gibi yerel ve uluslararası birçok sergi ve festivalde gösterilen,17. Uluslararası Ankara Film Festivali En İyi Deneysel Film Ödüllü “Bir Olayın Infazi Hakkında Tutanağın İki Adı ve Kırık Plaklarla Dolu Bir Bavul”; 14. Uluslararası Ankara Film Festivali Jüri Özel Ödüllü animasyonu “ZYMOTIC – AMAUROSIS”; “İstanbul” adlı belgesi ve diğer işleriyle festival için özel bir seçki sunacak.&lt;br /&gt;Bir diğer özel gösterim ise Atıl Altaş ve GVP özel gösterimi. Sinema eğitimi alan Atıl Altaş (aka turboslow) okul sonrası üç yıl boyunca Londra'da yaşadı ve hem sinema hem de müzik dünyası ile güçlü bağlar kurdu. Yabancı müzik grupları için ev yapımı/found footage video klipler hazırlayan sanatçı, bugün Komputer'in offical müzik klipleri Atıl Altaş tarafından hazırlanıyor ve çalışmalar Mute Records dışında başka plak şirketlerinin ve müzisyenlerin de dikkatini çekiyor. Atıl Altaş ve sinema yazarı/kısa filmci Serdar Kökçeoğlu tarafından kurulan bir video grubu ((GVP)) aldı altında split screen video klipler hazırlıyor ve video klip ve sanat videosu arasında köprü kurmayı amaçlıyor. ((GVP)) videoları "serbest sanatçı video klipleri" olarak düşünülebilir. &lt;br /&gt;&lt;br /&gt;Ayrıca, Kargamecmua'nın video, video art, video klip, kısa film, fragman, amatör video gibi farklı türlerdeki çalışmaların kısa ve sarsıcı olanlarını buluşturan ve değerlendiren Kısa Darbeler bölümü 3. Kargart Video Festivali için özel bir seçki tasarladı. Denemekten korkmayan, sıradışı, acayip ve elektrikli çalışmalar göstermek için dünyaya mektuplar yollandı ve filmler istendi, gerekli izinler alındı. Kısaca video festivalinin en "film" köşesi hazırlandı diyebiliriz. Serdar Kökçeoğlu tarafından düzenlenen Kısa Darbeler Gösterimi "Öteki kısa filmler, bazı videolar ve diğer şeyler..." başlığı altında 24 Şubat 2007 Pazar günü boyunca festivalde izleyicileriyle buluşacak.&lt;br /&gt;&lt;br /&gt;23 Şubat 2008 Cumartesi günü ise bu sefer performansları mekanı Kargart Salonu olacak, Türkiye’den önemli ses/görsel tasarımcı ve müzisyenlerin katılacağı gecede ((GVP)), Cotton AV, Osman Kaytazoglu, Analog Suicide ve DJ biennial VJ 2010 yer alacak. ((GVP)) festival için özel hazırladığı performansında dışavurumcu sinemaya ve gotik sanatlara göndermelerle dolu, eşi benzeri olmayan  deneysel bir çalışma olan Barış Yöş’ün Dr. Caligari’nin Karısı ve Oğlu filmi üzerine canlı müzik yapacak. Ozan Akıncı ve Kaya Hacaloğlu’un oluşumu, ses ve görsel performans grubu olan "Cotton AV",  şiirsel ve ritmik kullanımlar halinde sunulan video kliplerle canlı sinemanın gösterisel kavrayışına erişmeye çalışacak. Klipler, erkek/kadın/çocuk/yol gibi görüntülerinden, grafik imgelemerin, soyut sembollerin kullanımına kadar giden geniş bir görsel yelpazeden oluşacak. Osman Kaytazoğlu ".....Monique enters the room" adlı performansında Jean Vigo ve Stan Brakhage filmleri için canlı seslendirmeler yapacak. “DJ Biennial ve VJ 2010 iki efsane sanatçı. Şimdi, orientalmashdownethnicsufirock müzik ve videolarıyla Türk turizmine katkı sağlamak için Istanbul 2010 ve Istanbul Bienalini destekleyerek güçlerini birleştiriyorlar. DJ Biennial 1970’den beri İstanbul’un underground sahnesinde jungle’dan belly’e kadar çalarken; VJ 2010 ise1950’den beri deneysel videolar üretiyor ve videoları Çin’den Venezuela’ya kadar tüm dünyada gösteriliyor.” Analog Suicide, ses kavramının gerçek üzerinde durulması gereken konu olduğunu savunan bir proje, 1999 yılında, tamamen adıyla doğru orantılı bir mantıkla oluştu. Raslamsal bir yaklaşımla, analog sesler üzerine yoğunlaşan Batur Sönmez, içinde endüstriyel, minimal ve elektronik tınıların yoğunca bulunduğu bu projeyi gerçekleştirdi. 10.uncu yılında olan projesini, yaşadığı çevre ve etkilerinin ilişkilerinden yola çıkarak yeni hazırladığı video ile Batur Sönmez, kendi kişisel “analog intiharını” festivalde sunacak.&lt;br /&gt;&lt;br /&gt;21/02/2008 Festival 12.30-18.30&lt;br /&gt;  Atıl Altaş + GVP 18.30-20.00&lt;br /&gt;22/02/2008 Festival 12.30-18.30&lt;br /&gt;  Ozan Adam Özel Gösterim 18.30–20.00&lt;br /&gt;23/02/2008 Festival 12.30–19.00&lt;br /&gt;  Canlı Performanslar 20.00- 23.00&lt;br /&gt;24/02/2008 Kısa Darbeler 12.30–18.30&lt;br /&gt;  Kısa Darbeler Canlı Performans 18.30&lt;br /&gt;27/02/2008 Festival 12.30- 18.30 &lt;br /&gt;  Kinki Texas + Swamn Özel Gösterim 18.30- 20.00&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9071853828624332713-9068132950561225546?l=couriervideo.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://couriervideo.blogspot.com/2008/02/kurye-video-org-kargart-video-festivali.html</link><author>irmakarkman@gmail.com (Kurye Video Org)</author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KSGB9RuX7DQ/R7zCTamXRzI/AAAAAAAAAEo/uBgS0_8CoXo/s72-c/videofest_flyer+performanslar.jpg' height='72' width='72'/></item></channel></rss>